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When the Sheen Comes Off: The Lonely Ballad of Charlie Sheen…

It’s human nature to want to rubberneck at some grotesque car wreck. I have no idea where that grim compulsion is rooted, but it is buried deep within our human nature – we can’t resist it, like some form of morbid curiosity. In fact, on major motorways, the problem is so intense in that it has been suggested in the Netherlands that police should erect blank screens to stop passing drivers from peering at accidents. As I watch Charlie Sheen’s continuing descent into madness (because it seems – defying the laws of nature – like there is no rock bottom), I can’t help but wonder if we should do something similar about the actor’s recent attempts to train wreck his career.

He's not Half the Man he used to be...

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Boardwalk Empire

I don’t think any television show has been quite as anticipated as Boardwalk Empire. The entire digital television channel Sky Atlantic HD seems to be be marketed around the lush period drama, and well it might be. Sure, there are plenty of things to look forward to on HBO’s British channel, but nothing has the big name appeal of a period gangster television show starring Steve Buscemi and directed by Martin Scorsese. That combination was influential enough to secure the show a place on the family’s television planner, a huge vote of confidence if ever there was one – we like to watch stuff together, but a television show takes a lot of commitment (simply because it means getting everybody in the same room roughly once a week). Did Boardwalk Empire live up to the promise it offered? I think it’s too early break open the proverbial Champagne, but all indications so far are good.

Tonight we're going to party like it's 1920...

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Miami Vice: Brother’s Keeper (Pilot)

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “a brighter shade of noir” – neo-noir that eschews the dark aesthetic for which the genre is famous.

If I ask you to close your eyes and think of Miami Vice, I’m fairly share I can guess what comes to mind, in no particular order. Speedboats, stubble, sunsets in Florida, the music of Jan Hammer, In The Air Tonight, sharp suits and lots of pastel colours. In fairness, a lot of this is very fair – Miami Vice was a show that had a very polished and practiced superficial exterior, and it’s that aspect of the television show that worked its way into popular consciousness. However, looking back at the show – and especially that first season (and maybe a little bit of the second season) – I think it might also be one of the best neo-noir television shows ever produced. Don’t worry, I’m not being controversial for the sake of being controversial.

Well, not just.

No more Mr. Vice Guy...

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Doctor, Who?

Believe me. Just believe me for twenty minutes…

My blu ray copy of Doctor Who arrived today and I am delighted. I’ve already written a review of the fifth season (and the Christmas special), but I loved it to pieces – despite its considerable flaws. I’ve done a bit of revisiting today and shall likely continue to view the episodes again later into the week. Anyway, just because I feel like celebrating, here’s a little piece of artwork I found on-line from artist Christopher Jones. I figured it was worth sharing.

Men and their screwdrivers...

Doctor Who: A Christmas Carol

Being honest, this Christmas special had me from the moment that Michael Gambon was announced. I might have been a little uncertain when it was stated that Stephen Moffat’s first Christmas episode would be essentially a re-telling of the Dickens classic A Christmas Carol, but I have to admit that I enjoyed it a great deal. That isn’t to pretend that it’s a perfect episode of Doctor Who or that there aren’t significant flaws with the hour of television, but it’s fairly entertaining, features fantastic performances and has a few clever concepts playing about – making it great for seasonal viewing.

The Ghost of Christmas past, present and future...

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Family Guy: It’s A Trap!

Oh, we’re about to do Jedi, aren’t we?

Let’s just get through this.

– Stewie and Peter introduce the episode

And so we reach the end of the Family Guy Star Wars specials. It’s A Trap! is pretty much at an immediate disadvantage – the guys have already made two Star Wars specials, so a lot of the novelty is gone; not to mention the fact that Return of the Jedi is hardly a classic, fondly remembered in comparison to the prequel trilogy, but still nowhere near as good as the original two films. However, the production team acquit themselves admirably. When the episode works, it really works – there are some absolutely hilarious scenes in there. It’s not the most consistent piece of television you’ll see this year, but it’s damn entertaining, and made with a respect that shines through.

That's one bad dad...

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Family Guy: Blue Harvest

A long time ago, yet somehow in the future…

The wonderful thing about myths is that they essentially repeat. All the great and epic stories have been told time and time again, from the first cavemen passing the time by a late night fire through to the matinée screening of the latest big budget blockbuster. Each generation creates their own variation of the myth, putting their own spin on it – some parts are given more emphasis in this iteration, while we shy away from others. In writing Star Wars, George Lucas acknowledged his debt to Joseph Campbell, the author who proposed a “monomyth” – the idea that there is one single overarching story which has been told tim and time again. I reckon that it’s this timelessness is the root of the film’s success, and what makes it such a ripe target for Family Guy.

Click to enlarge...

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Batman Beyond: Out of the Past (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. This is the last post of the week, and so I thought I should focus on where it all started, with the animated Bruce Wayne.

I don’t think Batman Beyond gets the credit that it so sorely deserves. It was really the first time that it was explicitly acknowledged that Bruce Wayne couldn’t be Batman forever – that, unlike so many other members of the DC pantheon, the character was a mere mortal who would pass away and that he couldn’t wear the cowl forever. The animated television show was the first to wonder what would happen to the concept of Batman, if Bruce couldn’t do it anymore. Would the hero die out and fade from memory? Or would he live on, somehow, enduring forever?

Batman always was a showman…

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Batman Beyond: The Call (Parts I & II)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. This review/retrospective was meant to go out over a week ago, when I looked at Justice League: New Frontier, but unfortunately my package was delayed in the mail. However, I thought it might be worth a look back at the first time we saw a Justice League in the DC animated universe.

It seems that Bruce Timm and his staff of writers had considerable advanced notice that they’d be working on a Justice League cartoon show. The last season of Superman: The Animated Series contained animated introductions of characters like the Green Lantern in In Brightest Day and the Flash in Speed Demons. However, the introduction of the Justice League as a concept, a team of superheroes working for the greater good, came in Batman Beyond of all places. Portraying the distant future of the animated universe after Batman retired, it proved an interesting way to look at the team without getting too involved in the personalities involved.

Batman goes Beyond the call of duty...

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Justice League Unlimited – For the Man Who Has Everything

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. We’re winding down now, having worked our way through the nine animated features, so I’m just going to look at a few odds-and-ends, some of the more interesting or important episodes that the DC animated universe has produced. The one adaptation of his work Alan Moore is actually happy with is well worth a look.

Van, when you were born, it was the happiest day of my life. When I first saw your beautiful little face, your tiny fingers squeezed my hand so tight, like you never wanted to let go. I’ve watched every step, every struggle…I-I’ve… but, Van… Oh, Rao help me… but I don’t think you’re real. I don’t think any of this is-is real…

– Superman confronts the fact that none of this is real

Alan Moore is one of the best comic book writers out there – and he’s perhaps the greatest writer ever to work with the character of Superman. Whatever Happened to the Man of Tomorrow? is an oft-referenced fond farewell to the Silver Age Superman (which prompted a similar storyline for Batman with Neil Gaiman’s Whatever Happened to the Caped Crusader? in the wake of the character’s recent “death”), but I’ve always preferred his one-shot story For The Man Who Has Everything. Adapted into animated form as one of the first episodes of the relaunched Justice League Unlimited series.

Super-dad!

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