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Non-Review Review: Octopussy

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Despite having quite possibly the most awkwardly unfortunate name in the history of the English language, the most enduring image from Octopussy is Roger Moore, flailing wildly and trying to be taken seriously, while dressed as a clown. Oddly appropriate, eh?

Moore, Moore, Mo- Too Much!

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Swanky Lady: Spare a Thought for Hilary Swank…

I feel sorry for Hilary Swank right now, but also a little hurt and confused. Swank should be a respected character actor at the very least, and I’d argue that she has the potential for a distinguished and competent leading lady. After all, the woman has two Oscars on her shelves and she’s not even forty (for Million Dollar Baby and Boys Don’t Cry). That’s some kind of spectacular acting accomplishment right there. We should be looking at the next Meryl Streep, a woman who can grow old with dignity and remain a well-respected and admired performer. So, I am quite surprised to find that Swank is starring in a direct-to-video Hammer horror film, The Resident.

And I’m trying to understand how that can happen.

I thought an Oscar was supposed to open doors...

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On Second Thoughts Re-View Review: The Town (Extended Cut)

Sometimes when I see a movie a second time, I see a little bit more. Sometimes it’s watching an alternate cut or something, but it can be as simple as watching the movie a second time and knowing how it’ll end the whole way through. So I thought I’d try something new. I’d make notes on what I thought of certain films when I saw them a second time – let’s call it a “re-view review”, eh? Maybe they’ll become a semi-regular fixture.

When I first caught The Town, I admitted to being a bit disappointed with it. It was a good film, but it wasn’t quite as consistently brilliant as many people had led to me to believe. Don’t get me wrong – I enjoyed it (get more of my thoughts on it by checking out the review) but it just seemed like something was missing from the film, even if I didn’t know what. So, when dad returned from the video shop with it on Friday, we all sat down to watch the special “extended cut” of Ben Affleck’s film. And I absolutely loved it.

Hamming it up a notch...

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Non-Review Review: For Your Eyes Only

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Bond film also known as “the one that even people who dislike Roger Moore Bond films enjoy.”

Bond plays “Eye, Spy”…

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Non-Review Review: Tangled

Disney’s 50th animated feature film is something of a return to traditional values. Despite the surrounding discussion about whether this would be Disney’s last “princess” fairytale film or whether boys would respond to the story of Rapunzel, the movie is assuredly old school in its style. Although the way that it has been handled by the studio betrays a stunning insecurity about it, it’s self-assured a good old fashioned fairytale at heart. Though it moves away from hand-drawn animation to computer-generated imagery (though it’s reportedly heavily influenced by the old-school approach to animation), it couldn’t be more of a traditional Disney film if it tried. After so many attempts to update, subvert, revise, deconstruct or play with that classic formula, sometimes it’s nice to be served a traditional film, straight-up.

Go on, let your hair down!

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Non-Review Review: Moonraker

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

James Bond has always been susceptible to trends. Be it a nod to the kung-fu craze of the late seventies in The Man With The Golden Gun or the more modern focus on the Bourne film series in Casino Royale and Quantum of Solace, the film series has always been aware of popular tastes. While certain unions might seem a little eccentric (the fusion of the series with Miami Vice to produce Licence to Kill), there’s probably not a more bizarre blend than the attempt to emulate the success of the original Star Wars films within the framework of a film franchise based around a suave British spy.

Roger Moore’s hanging on in there…

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Non-Review Review: The Spy Who Loved Me

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Spy Who Loved Me was just what Bond needed after The Man With The Golden Gun. Let’s be honest here, the movie has perhaps the strongest and most iconic opening sequence of any Bond movie – even those who haven’t seen the film know the beats off by heart. Bond is skiing, escaping a Russian ambush in the snow. He’s giving as good as he gets, but he’s cornered – out numbered and outgunned. In a moment of desperation, Bond flees his attackers, skiing off the side of a cliff.

It’s a cliffhanger…

For a moment, there is nothing but silence. As the stunt man tumbles through the air, the music stops cold. It’s not just the audience holding their breath as they watch Bond enter free fall. Is this it for our illustrious secret agent? You know it can’t be more than a couple of seconds, but it seems to last an eternity. And then…

And then…

The Bond music kicks into gear as the parachute opens – a Union flag. And then the opening beats of Nobody Does It Better sound in the background as Bond makes good his escape. Let’s face it, the movie could end there and it would be the best thing to happen to Bond since Sean Connery left.

Nobody does it better…

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Let Bond Be Bond: What We Want from Bond 23

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The 23rd Bond movie had its release date confirmed as 9th November 2012, putting an end to the perpetual development hell that it seemed trapped in. With Oscar-winner Sam Mendes in the director’s chair, there would seem to be very little to worry about, but I thought – nonetheless – I’d collect some thoughts on what I’d like to see in the 23rd instalment of the long-running film series.

Shaken... but not stirred...

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Non-Review Review: The Man With The Golden Gun

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Man With The Golden Gun is frequently derided as the worst film of the Roger Moore era, guilty of taking all the excesses of the period and turning them up to eleven. Being honest, I’m not entirely convinced. Don’t get me wrong, it’s a bad film – one of the worst Bond films – but I’m not entirely convinced that it is as universally disappointing as Moonraker or as ridiculously underwhelming as Octopussy. There is, I’d argue, very possibly one tiny little gem buried amid this trainwreck of a Bond film – the man with the golden gun himself, as played by Christopher Lee.

This foe is going to put Bond through his paces…

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Non-Review Review: Live and Let Die

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Who’s the black private dick honky secret agent who’s a sex machine to all the chicks? Bond, James Bond.

It’s blaxploitation, but with a British accent.

Strange bedfellows…

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