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Flash: Rebirth (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness…

From the outset, Flash: Rebirth was going to be an infinitely more complex endeavour for writer Geoff Johns than Green Lantern: Rebirth had been. Both miniseries aimed to firmly establish an older legacy character (in both cases, the iteration of the character active in the late fifties/early sixties) as the core of that particular franchise, replacing their replacements, as it were. However, Hal Jordan had been absent for about ten years, and had been hovering around the DC Universe in various guises during his absence from the role of Green Lantern. Barry Allen, on the other hand, had been gone twenty years and his appearances had been far scarcer. There had been a whole generation of fans (including the author of this miniseries) who grew up with Wally West as the Flash. Bringing Barry back was always going to be tricky, but here it becomes evident just how tricky.

A darker shade of red?

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Final Crisis: Rogues’ Revenge (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness…

Rumours on the street are that Jesse James bought it. I thought you might be dead, too. Tar pit said Zoom buried you under the Flash Museum. Computron swore you were banished to some kinda war planet. And Double Down bet me a grand the Titans had you locked up in their tower.

But you’re here. You escaped!

– The Trickster just about sums up everything that happened since Geoff Johns left

It was a touch period for the Flash after Geoff Johns finished his rather tremendous run on the character. Although Mark Waid’s first run with Wally West was a celebrated comic book run, his brief tenure on the title following Johns’ departure was not nearly as well received. Wally West was shipped off to an alternate dimension, and then brought back. The teenage Bart Allen was turned into the Flash, and then unceremoniously killed. The Rogues were sent to another planet, and the supporting cast suffered the indignity of Countdown to Final Crisis. All of this happened in a few years, and transformed DC’s Flash comic books from some of the best on the market to something of a joke.

However, Geoff Johns’ Final Crisis tie-in miniseries seems intended to assure the faithful that everything is going to be okay. Even Captain Cold dismisses everything that’s happened as “one %%@#$@-up year.”Let’s just put it behind us.

Cold warriors...

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Geoff Johns’ Run on The Flash – Ignition, The Secret of Barry Allen, Rogue War

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness…

Superman soars above everyone. Batman hides from everyone. Wonder Woman preaches to everyone.

Me? I run right alongside everyone. My name’s Wally West. You probably know the rest.

– The Flash reintroduces himself, The Secret of Barry Allen

Geoff Johns’ run on The Flash can really be split into two distinct sub-runs. The first saw him working with artist Scott Kolins, defining Keystone and building up a supporting cast. The second, following the climax of Blitz, is something of a revised origin for the character – an attempt by Johns to tell his own particular version of an origin story for the character. Of course, it isn’t a literal origin like his own Green Lantern: Secret Origin or Superman: Secret Origin, rather a rediscovery. Although I do have a slight preference for the earlier half the run, there’s no denying that Johns has put together quite a wonderful story during his tenure on The Flash.

What a run...

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Grant Morrison and Mark Millar’s Run on the Flash – Emergency Stop & the Human Race

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness… We’ll start with a tie-in to last month’s theme, with the time Grant Morrison wrote The Flash.

Wally, you are definitely spending too much time around Scottish people!

– Linda bends the fourth wall. Quite frankly (or should that be “Frank Quitely”, referencing Morrison’s long-term collaborator?), I’m surprised it’s still standing by the end of the run.

If you believe everything you read, it was actually Mark Waid’s landmark run on The Flash that inspired Grant Morrison to write Justice League in the first place, a run currently being collected in nice deluxe hardbacks. So, when Mark Waid took a year off from the title to pursue his own interests – including the graphic novel The Life Story of the Flash and JLA: Year One – perhaps comics’ most mind-bending Scotsman would make a logical choice to replace him on a character who has always had a bit of a surrealist bent. And Grant Morrison brought a friend with him – Mark Millar, now better known as the writer of Kick-Ass and The Ultimates, but who originally started out with a string of partnerships with Morrison through the nineties involving a prologue to Justice League and Aztek, along with many others. Their collaborations aren’t exactly looked back upon as comic book gold – despite the fact that the two of them, working separately, have redefined the superhero genre – but their year-long fill-in gap on The Flash is irrelevant and charmingly fun. Nothing more (unless you’re a continuity nut – in which case the pair tease several essential Flash concepts) and certainly nothing less (unless your comic book tastes don’t run towards the “wacky” end of the spectrum).

Chased by a shadow...

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Grant Morrison’s Run on Batman & Robin – Batman Reborn, Batman vs. Robin & Batman Must Die! (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. Every Wednesday this month, we’ll have a Grant Morrison related review or retrospective.

I am going to be honest. I didn’t love Grant Morrison’s tenure on Batman. It felt a bit awkward and continuity-heavy – don’t get me wrong, I appreciated his attempt to tie together just about every aspect and iteration of Batman ever, but it just felt a bit too much. Yes, Batman can be the grim avenger or the charming ladies’ man or the camp crusader or the superhero or the urban vigilante or the world’s greatest detective or a swinging icon, but – in reading Morrison’s run – it felt too awkward to make Batman all of these at the same time. Perhaps, then, it’s because Batman & Robin sets itself a more modest goal (in that it doesn’t attempt to reconcile every aspect of the character’s seventy-year history) or just because Morrison appears to be enjoying himself far more, but this second act in Grant Morrison’s epic Batman saga is a much more engaging read.

The run gets off to an explosive start…

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Joe the Barbarian: The Deluxe Edition (Review)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium.

Ultimus Alpha tells it how it is, Kid. This fairtale’s on a one-way trip to Hell.

Joe the Barbarian isn’t Grant Morrison at his creative peak. It isn’t going to redefine the medium, or become an enduring classic for the ages. If it features on college reading lists, I suspect it will be sorted with the “optional” texts somewhere below the “key” Morrisonian works. That doesn’t mean that Joe the Barbarian is bad or anything nearly as drastic. It’s a nice little fairytale fantasy story, one that feels like Morrison paying homage to a bizarre mix of Cabaret and The Lord of the Rings. There’s a lot here to enjoy, but there’s nothing that’ll really knock anybody’s socks off.

Swordplay...

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we3: The Deluxe Edition (Review)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium.

It’s Homeward Bound, but with cyborgs!

Run rabbit, run rabbit, run run run!

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Grant Morrison’s Seven Soldiers of Victory: Zatanna (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

Zatanna is undoubtedly the most recognisable DC comics character among Morrison’s seven-character line-up. Sure, Frankenstein is a cultural icon and Mister Miracle is a member of Kirby’s New Gods, but Zatanna is an iconic part of the DC Universe, with her own rich and established history which has played into large events within the fictional universe repeatedly. As such, it’s no surprise that she is the only member of the Seven Soldiers ensemble to have a current on-going series – written by long-time Batman author Paul Dini. Of course, Dini mostly handles his own interpretation of the stage magician, to the point that this little four-issue series might really have never happened. Still, I’m glad it did, if only because Morrison gets to handle some pretty important character beats and acknowledge the character’s rich history at the same time.

I take my hat off to Morrison...

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Grant Morrison’s Seven Soldiers of Victory: Shining Knight (Review)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

Shining Knight is one of those heroes that Morrison picked from relative obscurity for his Seven Soldiers project. The only encounter I ever had with the character was watching an episode of Justice League Unlimited featuring the original Seven Soldiers line-up as a bit of an in-joke. So, I don’t really have any frame of reference for how Morrison is reworking the character here, but I imagine it’s quite thoroughly.

Winging it...

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Grant Morrison’s Seven Soldiers of Victory: Mister Miracle (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

Morrison’s fascination with Jack Kirby creations continues. The author also reworked the Newsboy Legion and Klarion the Witch-Boy as part of Seven Soldiers, but Mister Miracle allows Morrison to play with perhaps the most iconic additions that Kirby made to the DC pantheon, dating back to his return from Marvel in the seventies, the New Gods. It goes without saying that this four-issue series actually serves as more of a lead-in to Final Crisis than an exploration of the Seven Soldiers mythology, but it’s still an absolutely fascinating look at some of Morrison’s big ideas.

No escape...

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