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Garth Ennis’ Run on Punisher MAX – From First to Last (Tyger, The Cell, The End) Review

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

It’s interesting. Collecting three one-shots from writer Garth Ennis involving the Punisher, this collection manages to skilfully capture everything I love and loathe about the Northern Irish writer’s take on the Marvel character. The three stories collected here – The Tyger, The Cell, The End – run the full range from the early years of Frank’s life, to his early career as the Punisher, through to the end of humanity itself. That’s a pretty huge scope for a writer, and it’s telling that Ennis can cover all that range in so few pages, so smoothly. There’s a lot of good clever stuff here, but there’s also the insanely juvenile stuff that so often seems to knock me out of Ennis’ Punisher just when it looks like I might start enjoying it.

To the ends of the Earth...

Note: This review is going to contain spoilers. In each case, it’s probably best you know as little as possible about these three stories heading into them. So, if I had to offer a quick recommendation, I’d suggest that they are essential for fans of Ennis’ take on the character, and capture and expand on his core ideas well. However, if you aren’t familiar with the character, there are better places to start (ironic, given two of these three are origins, after a fashion). If you can’t stand the Punisher… well, this won’t convince you.

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John Carter: Warlord of Mars Omnibus (Review/Retrospective)

I have to admit, I have a huge amount of respect for Marvel’s Collected Editions department. Their superb “Omnibus” line, aimed at collecting giant volumes featuring entire runs on particular characters or series, hasn’t just been reserved for their iconic stable of heroes. For example, we’ve seen a three-volume set of Marv Wolfman and Gene Colan’s Tomb of Dracula, along with complete runs of Jack Kirby’s Eternals and Devil Dinosaur. In celebration of the release of John Carter, Marvel has produced a single hardcover collection of their twenty-eight issue (and three annual) series John Carter: Warlord of Mars, from the mid-seventies. Featuring an all-star group of creative talents, it’s an interesting look at a classic comic book that doesn’t involve tights or spandex, instead offering pulpy old-fashioned adventure.

An alien adventure...

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. I (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

It’s Omaha Beach. Wounded Knee. Rorke’s Drift, The Killing Fields, the first day on The Somme. World War Three in North Jersey. And only now, pouring automatic fire into a human wall — do I feel something like peace.”

– Frank Castle, In the Beginning

I don’t like The Punisher as a concept. It’s not some out-dated “heroes don’t kill” or “I need a good guy to be morally straightforward”, it’s more that the character is extraordinarily childish. This is the very embodiment of the nineties anti-hero explosion, the bubble in the mid-nineties which say Wolverine become even more outrageously (and inexplicably) popular, turned Ghost Rider into a major player in the Marvel Universe, and saw The Punisher hold down three (yes, three) monthly comic books. This is a guy who wears a skull on his T-shirt and kills criminals… that’s his schtick. And somehow, he became “uber-kewl”.

Armed and dangerous...

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Garth Ennis’ Run on Punisher MAX – Born (Review/Retrospective)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

There are comic book characters that are so closely tied to one particular writer that you pity anybody trying to write them. The X-Men have Chris Claremont (although I do love Grant Morrison’s New X-Men run), Daredevil has Frank Miller (although he also has Brian Michael Bendis and Ed Brubaker), Hulk has Peter David and (I firmly believe) Green Lantern has Geoff Johns. Somehow, through some fluke, occasionally comic book characters manage to stumble across a writer who fundamentally understands them. I’d argue that this is the benefit of having these characters survive in print – none of these runs were by the original authors. Anyway, to get to the point, the Punisher has Garth Ennis.

The last Castle...

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Geoff Johns’ Run on Flash – Blackest Night: Flash (Review/Retrospective)

I have to admit that I quite like DC’s approach to event tie-ins. Whenever a massive series like Infinite Crisis or Final Crisis or Blackest Night emerges, it doesn’t disrupt the on-going narratives being told in the books. Instead, the crossovers are shrewdly isolated to tie-in miniseries, so as to minimise interference. This means that a reader of Grant Morrison’s Batman & Robin doesn’t need to concern themselves with the zombie apocalypse in Blackest Night, as Peter Tomasi is handling a separate miniseries. Blackest Night: Flash, however, is something of a different beast, as there was no on-going Flash series at the time, with Blackest Night: Flash serving as a bridge between Flash: Rebirth and Geoff Johns’ on-going Flash series. The fact that the miniseries was written by the main architect of the event also makes the tie-in seem that little bit more essential, putting Blackest Night: Flash in quite a strange place.

Static eyes...

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Geoff Johns Hawkman Omnibus: Volume 1 (Review/Retrospective)

I’m always glad to see a nice, big and thick DC comics omnibus. Marvel have cornered the market in putting out over-sized gigantic collections of modern and classic runs on iconic characters, and I’m disappointed that it has taken DC so long to follow suit. After all, they have any number of long runs on iconic characters by acclaimed creators deserving some nice love. Geoff Johns’ Hawkman run is perhaps the writer’s run that I was least excited about, but it’s still nice to get the majority of Geoff Johns’ character-defining and continuity-clarifying run on the character handily collected in one gigantic package.

Hawkin' his wares...

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Geoff Johns’ Run on Booster Gold – 52 Pickup & Blue and Gold

I guess when you’re as popular as Geoff Johns you can pretty much pick your own projects. He’s pretty much the driving force at the company, having helmed two of the bigger more recent “event” crossovers (Infinite Crisis and Blackest Night) as well as managing the return of Hal Jordan to the pages of Green Lantern and Barry Allen to The Flash. He has always skilfully walked the line between a hardcore nerd who knows everything there is to know about DC’s incredibly complicated history and the source of some of the company’s most accessible output. His runs on the “big” name characters (such as Superman) are some of the easiest to read comic books currently published, however it’s clear he has a somewhat deeper level of knowledge and understanding of the way that the DC universe works, and is read to dive into the nooks and crannies of obscure characters and half-remembered trivia with the fervour of a pure geek. Booster Gold is perhaps the best example of this sort of work.

That logo is so money...

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Geoff Johns’ Run on Green Lantern – War of the Green Lanterns (Review)

I think that Geoff Johns deserves to take the majority of the credit for pushing the Green Lantern series forward as one of the mostly highly regarded properties in DC’s stable of intellectual property. That the Green Lantern continuity was allowed to remain almost entirely intact represents a huge vote of confidence in Johns as a creator, and the work that he has done. Still, War of the Green Lanterns can’t help but feel like a bit of a disappointment. An attempt to do a “mini-event” contained to the franchise (similar to the successful Sinestro Corps War), War of the Green Lanterns suffers because it doesn’t have the same thematic through-line as its predecessor, one that engaged the reader throughout the carnage and crossovers. That’s not to say War of the Green Lanterns doesn’t have any good ideas, but that it’s too jumbled and mixed up to be great.

Mogo doesn't socialise...

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Peter Tomasi & Fernando Pasarin’s Green Lantern: Emerald Warriors (Review/Retrospective)

Emerald Warriors suffers a bit from being a rather obvious lead-in series to the War of the Green Lanterns crossover than DC was pushing for its space cops to coincide with the release of the Green Lantern film. It’s very clear that the book is written with an editorial mandate to establish certain characters and dynamics, and I think it suffers to a certain extent, because of this – to the point where the series wasn’t renewed as part of the DCnU relaunch, which makes it seem like the series never really existed as anything more than a tie-in to a large event, rather than a cosmic comic book in its own right. It’s a shame, because Peter Tomasi has been one of the most consistant second-tier writers at DC, and his Guy Gardner is second-to-none. Also, you know, it looks incredible.

A breath of fresh air...

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Tony Bedard’s Run on Green Lantern Corps – Revolt of the Alpha Lanterns & The Weaponer (Review)

As with Green Lantern and Emerald Warriors before it, Tony Bedard’s run on Green Lantern Corps feels like it’s trapped between two larger events, flowing out of Blackest Night and into War of the Green Lanterns. I think Bedard suffers a lot more than Geoff Johns and Peter Tomasi from this, merely because he’s new to the franchise – he did great work on R.E.B.E.L.S., but this is first time working with the cast of characters from Green Lantern. So, while Johns and Tomasi fall comfortably into their familiar routines, Bedard seems to struggle to find his feet, while telling his own story and managing the obligatory set-up for the next large-scale event.

That's the last time Sinestro calls Kyle a second-stringer...

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