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The Amazing Spider-Man – The Gauntlet: The Juggernaut – Something Can Stop the Juggernaut (Review/Retrospective)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

Something Can Stop the Juggernaut is a bit of an oddity in the grand scheme of The Gauntlet, if not the larger scheme of Brand New Day. One of the stated goals of Brand New Day was to present readers with a thoroughly modernised version of Spider-Man, an iteration of the character who had been distilled to his purest essence, unburdened by the weight of decades of character development and continuity.

As the “new” in Brand New Day suggests, a large part of the editorial stance on Brand New Day was the opportunity to do something novel with The Amazing Spider-Man. It was a conscious break with the old, and an attempt to push the character in new directions. After all, the early issues made an effort to shuffle new characters into the established ensemble and to feature new villains and threats for our hero to face.

Leaping into action...

Leaping into action…

(To the point where the emphasis on classic foes was one of the selling points of The Gauntlet – a sense that the comics were finally trying to bring many of these iconic baddies into the twenty-first century alongside a reinvigorated and re-energised Spider-Man. Indeed, it’s interesting how much of The Gauntlet makes a point to reference or mirror Peter’s continuity reset into Brand New Day. Much like Peter in One More Day, many of his classic foes lose their new-found families to reset them to villainy, except without the benefit of a magical reset button at the end.)

So drawing back in celebrated creator Roger Stern to craft a sequel to a beloved eighties Amazing Spider-Man story feels rather surreal. The three-part Something Can Stop the Juggernaut exists as an explicit to Stern’s deservedly beloved classic Nothing Can Stop the Juggernaut, right down to classic flashbacks to the comic, follow-up references to various characters, and the fact that events spiral from that story.

Spidey is a little tied up...

Spidey is a little tied up…

Something Can Stop the Juggernaut is crafted as a celebration of vintage Spider-Man, which works very well in the context of The Gauntlet. As the on-going epic spirals towards its climax in Shed and Grim Hunt, it’s nice to hace a reminder of a classic Spider-Man story. After all, Grim Hunt makes a point to stress the perfection of another classic Spider-Man story, albeit in a very different way.

Something Can Stop the Juggernaut seems to exists to assure readers that the legacy and history of Spider-Man is still valid and meaningful, not rendered moot by the continuity-tinkering shennanigans of One More Day.

The Juggernaut who fell to Earth...

The Juggernaut who fell to Earth…

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Andy Diggle’s Daredevil – Reborn (Review/Retrospective)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

Well, by the end of Daredevil: Reborn, it is certainly time for a change.

Radar love...

Radar love…

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The Amazing Spider-Man – The Gauntlet: The Scorpion – The Sting (Review)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

Like Scavenging before it, The Sting saps a little of the momentum of The Gauntlet. In fact, The Sting might just be the weakest single chapter of the entire epic – a one-shot story that has little interesting or insightful to offer. While Van Lente’s fourteen page It is the Life represents the shortest single story in The Gauntlet, The Sting feels like the most hollow – the story that could be removed most easily from the sequence of events without any sense of loss or absence.

Indeed, even branding it as “the Scorpion” feels a bit cynical. While the Scorpion is a classic and iconic Spider-Man adversary, the character included here has no real connection to the wall-crawling adventurer. This new Scorpion has no history with Peter Parker, and was really a supporting character in the Avengers spin-off The Initiative. Along with the guest appearance from New Avengers baddie the Hood, The Sting seems like the wider Marvel Universe is encroaching upon The Gauntlet.

While it’s occasionally nice to get a sense that Spider-Man coexists in the same world as the Avengers or the Fantastic Four, The Gauntlet really isn’t the place for this. In fact, all the outside characters serve to undermine the otherwise effective claustrophobia of The Gauntlet – chipping away at the sense that Spider-Man is alone and isolated, being hunted and pursued by an ominous adversary.

Something to chew over...

Something to chew over…

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The Amazing Spider-Man – The Gauntlet: The Rhino – Rage of the Rhino/Endangered Species (Review)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

The Gauntlet is structured very carefully. The opening salvo of The Gauntlet is comprised of stories spanning a reasonable number of issues. These aren’t epic six-month-long encounters with classic bad guys. Thanks to the thrice monthly shipping schedule of The Amazing Spider-Man, few of the stories lasted longer than a month of real time. Still, stories like Power to the People, Keemia’s Castle and Mysterioso unfold across a number of issues.

As The Gauntlet races towards its climax, the stories get shorter. We begin to get a series of one-issue interludes, like It is the Life or The Sting. These are shorter, quicker affairs – they create a sense of heightened pace, as if the story is speeding up and gathering momentum as it moves towards its endgame. This is the middle act of The Gauntlet, working from the premise that the stage has been set and the band is engaged.

A smashing success...

A smashing success…

Then, as we push on into the third act of climax of The Gauntlet, we get three extended storylines. Something Can Stop the Juggernaut serves as something of a breather story arc, insulating the events of Shed and Grim Hunt from the rest of The Gauntlet. However, the four-part Shed is very much the climax of The Gauntlet – pushing much of the arc’s tones and themes to their logical endpoint. After that, Grim Hunt is the culmination of it all; a meditation on what this has all been about.

This clever structuring is in evidence for Joe Kelly’s story about the Rhino. The two-issue story arc is structured as two one-shots cleverly split over the course of The Gauntlet. The first part of the story, Rage of the Rhino appears nestled between Keemia’s Castle and Mysterioso. It appears to stand alone. And then, as The Gauntlet gathers pace, Endangered Species hits. And it hits with the power of a freight train.

Building up momentum...

Building up momentum…

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The Amazing Spider-Man – The Gauntlet: The Vulture – Scavenging (Review)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

The biggest problem with Scavenging is the villain.

The classic Vulture is admittedly a goof design, but – as with most of Steve Ditko’s villains – there’s an undeniable charm. With his silly “villainous green” colour scheme and the image of a super villain old enough to be collecting his pension, the classic Vulture sticks in the memory. Like so many of those classic Amazing Spider-Man bad guys, the Vulture has a sense of character that extends beyond his goofiness. (After all, Electro, Sandman and Mysterio are no less goofy in design.)

Feeding time...

Feeding time…

In contrast, the “new” Vulture featured in Scavenging feels decidedly generic. More animalistic, with a pinsir-like mouth and the ability to spew hot bile, the character is dressed in red – as if to suggest the classic costume design is more menacing in that colour. Introduced by Mark Waid in the 24/7 arc of Brand New Day, there nothing memorable at all about this version of the character, and he feels like an awkward fit for The Gauntlet, which traverses Spider-Man’s iconic selection of foes.

There is a reason that the character ended up as C-list fodder at the start of Greg Rucka’s Punisher run.

The Vulture has landed...

The Vulture has landed…

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The Amazing Spider-Man – The Gauntlet: Morbius – It Is The Life (Review)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

At a scant fourteen pages (sharing a single issue with a larger Flash Thompson story), It is the Life feels like something of an interlude in the large scheme of The Gauntlet. While most of the stories in the cycle are relatively short and contained (with nothing running over four issues), this is an exceptionally brief encounter between Spider-Man and one his older foes-turned-allies.

At the same time, writer Fred Van Lente manages to pile a lot into the fourteen pages of It is the Life, maintaining a wonderful thematic consistency across the line. Editor Stephen Wacker has done a wonderful job managing his team of “web-heads” and making sure that The Gauntlet remains internally consistent and on-point. Despite the diversity in talent working on the sprawling Spider-Man epic, it never feels like the larger threads get away from any of the writers.

Even a short fourteen-page interlude manages to hit on many of the event’s core themes.

What's at stake?

What’s at stake?

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Andy Diggle’s Run on Daredevil – Shadowland (Review/Retrospective)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

Shadowland is a disappointing climax to a wonderful decade of Daredevil. From the moment that Kevin Smith launched the second volume of the character through to the end of Ed Brubaker’s run, the Man Without Fear enjoyed a wonderfully consistent run of stories including runs from some of the best writers and artists working in comics, pushing the character in bold new directions and well outside his comfort zone.

Shadowland has a lot of problems, but the most obvious is that it betrays its central character. Matt Murdock is one of the most fascinating protagonists in comics, a proud (and occasionally arrogant) individual who might have the best of intentions but isn’t always able to make the right choices. Watching Murdock deal with his own mistakes and setbacks was a pretty compelling hook, as the comic pushed its protagonist into increasingly uncomfortable positions.

Unfortunately, the same cannot be said for Shadowland. Despite an interesting premise, it all falls apart when it decides that “a demon did it” is an acceptable explanation for Murdock’s latest errors in judgement.

Devilish delight?

Devilish delight?

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The Amazing Spider-Man – The Gauntlet: Mysterio – Mysterioso (Review)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

And so The Gauntlet circles around to writer Dan Slott and artist Marcos Martín. It really is impressive the talent that Marvel was able to draw to The Amazing Spider-Man as part of their Brand New Day. The comic was publishing several times a month, requiring rotating writers and artists to keep everything moving, with a strong editorial hand to guide the comic. Whatever one might say about the motivations and consequences of Brand New Day, it affirmed the idea that The Amazing Spider-Man was one of Marvel’s premier titles, featuring some incredible creative talent.

The Gauntlet is focused on the idea of re-working and re-engineering various classic Spider-Man bad guys. Both Power to the People and Keemia’s Castle stressed the idea that Spider-Man’s bad guys are really tragic figures – that there is something to pity in figures like Max Dillon or Flint Marko. With Mysterioso, Dan Slott and Marcos Martin focus on Mysterio, perhaps the least sympathetic bad guy featured as part of The Gauntlet. (The only real competition comes from either the new Rhino or the Lizard, if you separate him from Curt Connors.)

"Mister Spider-Man, I've been expecting you..."

“Mister Spider-Man, I’ve been expecting you…”

Far from a tragic figure trapped by circumstance, Slott positions Mysterio as a arch-criminal-as-artisté – a character who not only revels in the crime that he causes, but also the psychological damage he inflicts. He is a super villain who considers the entire world to be his set, staging elaborate set-pieces for nothing beyond his own amusement. There’s no fractured psyche here, no familial love, no excuse. Mysterio is a character who simply enjoys what he does. It doesn’t add much depth to the character, even if it is great fun.

And yet, despite this, Slott manages to make Mysterioso something of an encapsulation of the themes of The Gauntlet. This is the first time in the epic that Spider-Man’s “no kill rule” is discussed and stressed, and a story that emphasises that Spider-Man’s unique brand of heroism is about enduring the impossible without being corrupted by it. As such, it feels like Slott is really codifying some of the rules of this epic. Mysterioso skilfully closes out the first third of The Gauntlet, confirming what lies ahead.

All bets are off...

All bets are off…

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The Amazing Spider-Man – The Gauntlet: Sandman – Keemia’s Castle (Review)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

As much as The Gauntlet might seem to be a single over-arching story stretched across eight months of The Amazing Spider-Man, it really makes more sense a collection of smaller stories grouped together exploring the same core themes and ideas. There’s very little to directly connect Keemia’s Castle to the large plot in The Gauntlet. In many respects, this is just a typical confrontation between Spider-Man and recurring opponent Flint Marko.

On the other hand, it plays beautifully into the themes of the larger event, offering a glimpse at how desperate situations can push people to desperate decisions and how sometimes it’s possible to win without a sense of accomplishing anything. It also manages a pretty clever re-working and reinvention of a classic Spider-Man foe, doing a much better job at re-purposing the Sandman than Power to the People did with Electro.

A cold heart...

A cold heart…

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The Amazing Spider-Man – The Gauntlet: Electro – Power to the People (Review/Retrospective)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

Trying to channel Batman while writing Spider-Man is a risky business. The two characters are iconic – each can make a credible claim to be the most iconic character at their publisher, and perhaps the most iconic superhero ever. Both have imprinted themselves on the public consciousness; both have enjoyed multiple iterations across cartoons and movies; both have iconic stories and popular runs, as well as bucket loads of merchandise; both have truly wonderful supporting casts.

However, trying to use Spider-Man to evoke Batman is a risky move. You can end up with a mess like Spider-Man: Reign, demonstrating that the dark cynicism many associate with the Caped Crusader does not translate to the wall-crawling web-head. Alternatively, you get a sense that what makes Peter Parker unique and appealing is being crushed in a desire to fit a round peg in a square hole, like with The Amazing Spider-Man.

Shocking...

Shocking…

That said, The Gauntlet is a pretty spectacular Spider-Man story, one only enhanced by its similarities to the iconic Batman saga Knightfall. It’s a massive sprawling epic that seems to have been written with those comparisons in mind, with the writing staff very cleverly using the story as a springboard to emphasise the differences between Spider-Man and Batman. The Gauntlet, like Knightfall, is fundamentally a story about trying to break the central character a sinister new adversary launches a sustained assault using a collection of classic baddies.

However, The Gauntlet serves as an argument that Peter Parker can never be completely consumed by darkness. Even in his darkest hours, even when the story twists in a way that it really shouldn’t, there is an inherent optimism and reserve of strength and hope that keeps Spider-Man from tipping completely into the abyss. The entire Knightfall saga is about Batman clawing his way back from the abyss. The Gauntlet is about how Spider-Man really can’t be pushed into that abyss in the first place.

Swinging into action...

Swinging into action…

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