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The Amazing Spider-Man – The Gauntlet: Mysterio – Mysterioso (Review)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

And so The Gauntlet circles around to writer Dan Slott and artist Marcos Martín. It really is impressive the talent that Marvel was able to draw to The Amazing Spider-Man as part of their Brand New Day. The comic was publishing several times a month, requiring rotating writers and artists to keep everything moving, with a strong editorial hand to guide the comic. Whatever one might say about the motivations and consequences of Brand New Day, it affirmed the idea that The Amazing Spider-Man was one of Marvel’s premier titles, featuring some incredible creative talent.

The Gauntlet is focused on the idea of re-working and re-engineering various classic Spider-Man bad guys. Both Power to the People and Keemia’s Castle stressed the idea that Spider-Man’s bad guys are really tragic figures – that there is something to pity in figures like Max Dillon or Flint Marko. With Mysterioso, Dan Slott and Marcos Martin focus on Mysterio, perhaps the least sympathetic bad guy featured as part of The Gauntlet. (The only real competition comes from either the new Rhino or the Lizard, if you separate him from Curt Connors.)

"Mister Spider-Man, I've been expecting you..."

“Mister Spider-Man, I’ve been expecting you…”

Far from a tragic figure trapped by circumstance, Slott positions Mysterio as a arch-criminal-as-artisté – a character who not only revels in the crime that he causes, but also the psychological damage he inflicts. He is a super villain who considers the entire world to be his set, staging elaborate set-pieces for nothing beyond his own amusement. There’s no fractured psyche here, no familial love, no excuse. Mysterio is a character who simply enjoys what he does. It doesn’t add much depth to the character, even if it is great fun.

And yet, despite this, Slott manages to make Mysterioso something of an encapsulation of the themes of The Gauntlet. This is the first time in the epic that Spider-Man’s “no kill rule” is discussed and stressed, and a story that emphasises that Spider-Man’s unique brand of heroism is about enduring the impossible without being corrupted by it. As such, it feels like Slott is really codifying some of the rules of this epic. Mysterioso skilfully closes out the first third of The Gauntlet, confirming what lies ahead.

All bets are off...

All bets are off…

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