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New Escapist Column! On “1899” and the Problems of Abstraction…

I published a new piece at The Escapist over the weekend. Last week saw the release of Netflix’s 1899, a surreal mystery thriller from the creative minds behind Dark.

1899 is an impressive show in many ways, a multilingual series with a diverse cast, that is also the most expensive television show ever made in Germany. It is packed with big ideas, and grapples with heady themes, without ever stopping to apologise for itself or condescend to its audience. There’s undoubtedly something appealing in that. However, there’s a strange coldness to the show, a detachment that makes it very hard to emotionally invest in the series as anything more than an intellectual exercise.

You can read the piece here, or click the picture below.


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