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New Escapist Column! On How “Star Trek: Deep Space Nine” Challenged “The Next Generation”…

I published a new In the Frame piece at The Escapist on Friday. This week marked the 29th anniversary of Star Trek: Deep Space Nine, so it seemed like a good opportunity to take a look back at the show. In particular, the show’s relationship to its elder sibling, Star Trek: The Next Generation.

Deep Space Nine had a surprisingly contentious relationship with The Next Generation, often positioning itself as directly adversarial to the more popular and more beloved Star Trek spin-off. There were points at which Deep Space Nine seemed positively iconoclastic, particularly in its establishing of a fraught relationship between Sisko and Picard. This approach would be controversial today, if it were even allowed within the framework of a modern franchise, but it allowed Deep Space Nine to boldly push itself in striking new directions.

You can read the piece here, or click the picture below.

Doctor Who: Eve of the Daleks (Review)

“Here we are again.”

“Yeah, here we are again.”

In hindsight, it’s surprising that it has taken Doctor Who this long to do a proper time-loop episode. After all, this is a show about a literal time machine.

Time-loop stories are inherently fun. As Dan points out, Groundhog Day codified a narrative template that is easy to replicate while also being fun to play with. As recently as last year in the United Kingdom and the previous year in the United States, Palm Springs demonstrated how such a story could resonate in this era of a global pandemic, when the feeling of being stuck in an unending loop living the same day over and over again tapped into a fairly widespread feeling.

Shelf storage, am I right?

On a more basic level, these sorts of stories are fun for writers, directors and audiences. It has become increasingly common for television shows to have timeloop episodes. Star Trek: The Next Generation had Cause and Effect, which perhaps remains the gold standard. Stargate: SG-1 had the charming Window of Opportunity. The X-Files had Monday. Even Star Trek: Discovery had Magic to Make the Sanest Man Go Mad. These sorts of stories are that rare blend of a simple high concept with an incredible range of narrative opportunities; they can be funny or tragic, straightforward or complicated, character- or plot-driven.

So it is strange that it has taken Doctor Who so long to attempt something like this, even if the results are depressingly familiar within the larger context of the Chris Chibnall era. It feels very much like a repetition of the era’s most glaring flaws, squandering a fun supporting cast and playful concept on a script that seems completely disinterested in capitalising on either. Instead, it just plays the clichés of these sorts of stories over and over again.

Lifting the holiday spirits.

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