• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Star Trek: Myriad Universes – Echoes and Refractions: The Chimes at Midnight by Geoff Trowbridge (Review)

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

The death of Spock at the climax of Star Trek II: The Wrath of Khan is one of the definitive Star Trek moments. Pop culture has assimilated the moment, to the point where any half-decent nerd will identify “the needs of the many…” or “I have been and always shall be…” or maybe even “of all the souls I encountered…” It’s an absolutely massive moment for the franchise, where the film series dared to kill off the show’s most iconic and best-loved character.

It’s no wonder that the moment is such a strong focal point for those seeking to explore Star Trek. Star Trek: Into Darkness riffs mercilessly on that iconic scene, inverting it and counting on the iconography to generate enough emotional resonance for the film to get away with a fairly half-hearted homage. (The effects of The Wrath of Khan last until Star Trek III: The Search for Spock, while the consequences of the climax of Into Darkness don’t even last until the closing credits.)

So that famous sequence serves as an effective focal point of Geoff Trowbridge’s The Chimes at Midnight, which offers a parallel continuity of the Star Trek films in a universe where Spock died after the events of Yesteryear.

st-myriaduniverses

Continue reading

Non-Review Review: Star Trek III – The Search for Spock

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

I have a soft spot for Star Trek III: The Search for Spock. It’s a weird thing to admit, but it was really my first encounter with the crew of the original Star Trek television show. I was only eight or nine at the time, and I’d grown up watching and loving Star Trek: The Next Generation. Of course, this was in an era before DVD and blu ray made it feasible (and affordable) to collect the whole thing. So I branched out by trying the movies.

Being a young child in the era before the internet, I didn’t know that the second through fourth films formed a loose thematic trilogy. I just picked the film with the title that jumped out at me. Since “Spock” was an iconic part of Star Trek, and I knew him from his guest appearance on The Next Generation, The Search for Spock seemed the logical choice.

And it retains a special place in my heart.

"I have been, and always shall be, your friend..."

“I have been, and always shall be, your friend…”

Continue reading

Star Trek – The Pandora Principle by Carolyn Clowes (Review)

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

It’s amazing to think how much tie-in material the character of Saavik has generated, considering that she only appeared in three Star Trek films. There are regular characters who have never attracted the same degree of attention as Saavik. There’s probably a reason for this. After all, Saavik was introduced as an important character in Star Trek II: The Wrath of Khan. There’s even some speculation that she might have been originally intended as a replacement for Spock, had Leonard Nimoy decided not to return to the franchise. As such, she was introduced as a surprisingly developed character with a background rife with storytelling potential.

It’s a bit of a disappointment, then, that she was first re-cast as Robin Curtis in Star Trek III: The Search for Spock and then she was quietly shuffled off-stage at the start of Star Trek IV: The Voyage Home, never to be seen again. Perhaps that squandered potential is at the root of the fascination with Saavik. The Pandora Principle, the only Star Trek novel from author Carolyn Clowes, offers us an origin and a history for the character, building off hints and character attributes that were never even mentioned on-screen.

startrek-thepandoraprinciple

Continue reading

Watch! New Thor: The Dark World Trailer!

I’m looking forward to Thor: The Dark World, if only because (somewhat controversially) I think that Kenneth Branagh’s Thor is the best of Marvel Studios’ films to date. Branagh isn’t back directing, but I’m always a sucker for high-concept fantasy and a wonderful cast. From the looks of it, Thor: The Dark World is really cashing in on this year’s hip new cinematic trend: destroying London. It joins Red 2, The Fast and the Furious 6, Star Trek: Into Darkness, among others, in laying waste to the capital.

The Dark World features returning performers Tom Hiddleston, Idris Elba and Anthony Hopkins, which is reason enough to watch. Add in Christopher Eccleston and I’m intrigued.

Anyway, the traielr is below. Check it out.

Hannibal – Potage (Review)

Hannibal continues to move apace. Serialisation can often be a tricky beast, because it relies heavily on pacing. Reveal too much too fast and none of the plot beats carry enough weight. Drag out your revelations and your game-changing twists, and things feel too slow. The sense of progression is lost. On top of that, and something which is easily overlooked when it comes to serialisation, the key is to ensure that each episode exists as its own entity, while remaining a part of the whole. As often as one might use the “chapters of a book” analogy for episodes of The Sopranos or The Wire, this tends to ignore that each episode generally tended to be structured as its own entity. While a part of a larger story, each episode was its own self-contained unit of story.

Potage seems to suggest that Hannibal is finding its feet in the area, and carefully pacing itself. We are peeling back the layers on the eponymous psychiatrist at a pace that is neither too fast nor too slow. The evidence is mounting and his moves are becoming more brazen, but he retains his air of mystery. Since Lecter is a character who only really works with that sense of mystery, it’s a shrewd balance between progressing the plot and retaining the character’s appeal. Potage demonstrates the show has quite a knack for it.

The good doctor?

The good doctor?

Continue reading

Star Trek (DC Comics, 1984) #7-8 – Saavik’s Story (Review)

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

Star Trek comics are an interesting way of catching a glimpse at the franchise one-step away from the heart of production. While there are other forms of tie-in media, comics are produced on a monthly schedule. While scripts need to be written and art needs to be drawn, there’s less lead-in time required, meaning that contemporary Star Trek comics are often able to react dynamically to on-screen events. While novels might take up to a year from original pitch to the time they hit the stands, there’s something rather more urgent about tie-in comic books.

This is an issue for many tie-ins comics. For example, the syndicated Star Trek newspaper strip launched shortly before the release of Star Trek: The Motion Picture made a point to feature Ilia as a bridge officer on a relaunched USS Enterprise. She rather suddenly disappeared after those involved actually saw the movie and realised that she didn’t quite survive the adventure. Similarly, when it came to detailing the adventures of Kirk and company in the wake of Star Trek III: The Search for Spock, writer Mike W. Barr moved the crew over to the USS Excelsior, in accordance with writer Harve Bennett’s original plan.

That said, Mike W. Barr’s comic book origin story for Lt. Saavik holds up rather well, fitting quite comfortably with Carolyn Clowes’ origin for the character offered in the superb 1990 book The Pandora Principle. Of course, Barr’s origin sketches the broadest of outlines, and is clearly more preoccupied with crafting a pulpy space opera adventure.

Saving Saavik!

Saving Saavik!

Continue reading

Win! Kick-Ass 2 Goodies!

Thanks to the wonderful people over at Universal Pictures Ireland and Kick-Ass 2 we have two (2!) Kick-Ass 2 goodie packs to give away.

Kick-Ass 2 is the sequel to Matthew Vaughn, Jane Goldman and Mark Millar’s 2010 hit Kick-Ass, one of our favourite superhero films of the past few years. Most of the cast is returning, including Aaron Taylor-Johnson as Kick-Ass, Chloé Grace Moretz as Hit Girl and Christopher Mintz-Plasse as the Mother-f&%!#?. There are also several new additions, including Jim Carrey as “Colonel Stars ‘n’ Stripes”, but also Donald Faison and John Leguizamo.

It’s released here in Ireland next Wednesday, 14th August. You can check out the trailer below and get a glimpse of what’s in the packs below.

Simply fill out the form below to enter.

Each pack includes:

  • 7″ Action Figure
  • Character Pin Set
  • Kick-Ass Keyring
  • Hit Girl Keyring and Heroclix Mini Figure

It’s quite an impressive haul, as you can see below.

Kick-Ass-2---Packshot---High-res

To be in with a chance to win, fill out the form below:

The competition is now closed. Winners will be notified shortly.

Your contact details will only be used to inform the winners. You must be a resident of Ireland or Northern Ireland to enter. Good luck!

Check out more details on the Kick-Ass 2 facebook page.

Non-Review Review: Star Trek II – The Wrath of Khan

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

In many respects, Star Trek II: The Wrath of Khan represents the franchise’s first true “reboot.”

There have been various points in the history of the franchise when the show has undergone a reinvention of some description, a radical shift from what it was into what it would be. The third season of Star Trek: The Next Generation represented such a dramatic update, a shift turn-around from the show’s first troubled two seasons. The third and fifth seasons of Star Trek: Deep Space Nine did something similar. Star Trek: Enterprise tried to affect some radical shift, but only managed to accomplish it in the third season. JJ Abrams’ recent summer blockbuster represented its own dramatic alteration to what Star Trek was or could be.

However, The Wrath of Khan represents the show’s first massive shift, the first point at which the franchise effectively evolved into something markedly different from what it had been before.

You Khan do it!

You Khan do it!

Continue reading

Star Trek: To Reign in Hell – The Exile of Khan Noonien Singh by Greg Cox

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

I feel like I’m in the minority because I didn’t much care for Greg Cox’s The Eugenics Wars: The Rise and Fall of Khan Noonien Singh, Vol. 1 & 2. The books had an absolutely great premise, and Cox had a very clever way of explaining how the Star Trek universe could have had a major conflict between genetically-engineered supermen in the 1990s, despite the fact that their version of the 1990s looked a lot like ours. However, Cox became bogged down in shout-outs and continuity references and character cameos. Despite the seemingly epic scope of the story, it seemed like 20th century Earth was inhabited by twenty people who all knew one another.

In contrast, To Reign in Hell has a much less ambitious and exciting premise, but the novel also reigns in some of Cox’s excesses. While the author’s taste for continuity sometimes overwhelms the narrative, he is somewhat restrained in how heavily he cane lean on what came before. While Cox’s prose is still a little prosiac, and his narration a little ham-fisted, he at least has a bit more room here to develop Khan as a character. Without the crutch of feeling the need to reference every 20th century character ever to appear in Star Trek, Cox can focus on his leading man.

Well, mostly.

st-toreigninhell

Continue reading

Hannibal – Amuse-Bouche (Review)

Second episodes can be tough. Pilots tend to establish the core themes and characters of a show, offering a very clear blueprint going forward and perhaps hinting at the direction that you want to take things. They are grand mission statements, couched in broad terms and delivered with a sense of novelty. Second episodes are a bit less exciting. They are about putting that plan into action, defining the edges a bit, expanding outwards where necessary and refining as needed. It’s with the second episode that you really get a sense of what a show is going to be like in a more practical week-to-week sense.

By that measure, Amuse-Bouche works quite well at giving us a sense of putting the show’s feet on the ground and helping prepare us for what lies ahead for the rest of the season.

It's growing on me...

It’s growing on me…

Continue reading