• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Red State Red Band Trailer

Kevin Smith’s latest film, Red State, seems like a break out of the director’s comfort zone. While the director has tackled the idea of organised religion before (in the superb Dogma), his latest effort seems like something decidedly more serious. Being entirely honest, I’m always eager to see an established director attempt something that we’d never expect from them, and Smith’s cast (John Goodman, Melissa Leo and Kevin Pollack) is populated with enough skilled (and underrated) performers that it looks to be well worth a chance. If nothing else, the exploration of extremist religious groups in the United States always makes for a juicy viewing experience, even if Smith might not be going for a lot nuance. It looks like a mish-mash of a whole host of subgenres – from the hints at awkward teen comedy at the start to a sinister horror thriller through to an all-out action adventure. It seems like a lot for the director to handle, but the cocktail is intriguing enough to grab my attention.

Telling Vision: The Digital Age and Freedom…

We’ve been digital now for about five years. I have to admit, as much as I might have admired the scavenger sensibility that standard ten-channel Irish television might have taught me, I find it hard to imagine what it must have been like. It’s like the way I can’t imagine a world without easy-to-carry mobile phones, even though I lived in it for quite a while, or I can’t remember what the world was like without access to the information super-highway (though I do remember when we used to use dial-up internet… oh the pain). Digital television is a wonderful invention, and one that I truly treasure. It’s been heard so often that it’s become something of a truism to remark that we get 999 channels, but there’s never anything to watch… but I think that people who feel like that simply aren’t trying hard enough.

Continue reading

Non-Review Review: 9

9 looks absolutely lovely, with a heavily stylised computer-generated style that seems intended to evoke the macabre stop-motion style of films like The Nightmare Before Christmas or Corpse Bride, along with more traditional and conventional animation. However, as magical as the production on the animated feature might be, the movie – somewhat ironically given the way things work out – lacks soul.

A rag-tag bunch...

Continue reading