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Spider-Man vs. Wolverine (Review/Retrospective)

To celebrate the release of The Wolverine later in the month, we’re taking a look at some classic X-Men and Wolverine comics every Monday, Wednesday and Friday here. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.

Well, at least it’s honest. Spider-Man vs. Wolverine doesn’t promise a superhero team-up so much as a comic book bust-up. Many comic crossovers open with two characters throwing down, perhaps playing to the geekish fanboy fascination with the idea that “my hero can beat your hero.”

Such brawls are so common that Marvel’s recent span of blockbuster events has been based around the idea of heroes fighting one another. Civil War pitted Captain America against Iron Man. Secret Invasion saw heroes fighting aliens impersonating heroes. Siege was about heroes defeating supervillain imposters. Avengers vs. X-Men… well, exactly what it says on the tin.

So the title of Spider-Man vs. Wolverine is refreshing frank, opening acknowledging this tendency and going so far as to make it the centrepiece of the book.

"So, um, when does the team-up start?"

“So, um, when does the team-up start?”

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Watch! New Wolverine Trailer!

I’m actually slightly looking forward to The Wolverine. Yes, I’m aware that X-Men Origins: Wolverine was… less than good. On the other hand, I have a soft spot for James Mangold, and I like the idea of giving the character a (relatively) fresh start free from all the continuity and characters of the previous X-Men films. I’m not expecting an instant classic, just a nice popcorn film.

Enjoy!

 

Avengers vs. X-Men (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

I’ll admit, I’ve always been broadly curious about how the Avengers and the X-Men franchises fit together. I’m not normally a massive fan of over-thinking the whole “shared universe” aspect of superhero comics. After all, how can Spider-Man continue to have it so tough when there’s a bunch of wealthy and well-loved superheroes who could vouch for him? Why wouldn’t Batman use Superman or Green Lantern for back-up all the time? It’s best not to dwell on the implication that all these comic books are unfolding at the same time, despite how fun the occasional crossover might be.

Still, I’ve always found it interesting that the X-Men books apparently share a continuity with Marvel’s publishing line. After all, the merry mutants are frequent victims of persecution and attempted genocide, the subjects of institutionalised racism and seem to spend the majority of their time as pariahs or outlaws. You’d assume that at least Captain America – the Sentinel of Liberty and all that – would probably want to take an interest in mutant affairs, or try to help them out a little.

Avengers vs. X-Men is a massive line-wide crossover between Marvel’s two largest and most iconic franchises. It is – as you might expect – mostly an excuse to throw the two sets of toys against each other, but it still has its fair share of interesting ideas. It doesn’t necessarily develop those interesting ideas in the most satisfactory direction, but it is surprisingly coherent for a twelve-issue series from five of Marvel’s highest profile writers and three of the company’s most respected artists.

Exactly what it says on the tin...

Exactly what it says on the tin…

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Watch! The Wolverine Trailer!

I’ve been a bit less than impressed with the publicity work for The Wolverine. A trailer for a trailer? Exclusive teaser footage released via two avenues? It just seems a little counter-productive and more frustrating than intriguing. Following the reaction to both X-Men III and X-Men: Origins – Wolverine, you’d think that the trick would be to offer as much proof that things had turned around as possible, and as quickly as possible. Suspense works if we’re already sold. It doesn’t work if we’re more cautious than curious.

And I say that with a hint of optimism for The Wolverine. I actually quite like James Mangold. I even sort of enjoyed Knight and Day, probably much more than I should have. Hugh Jackman is charming enough you can forgive him anything. And the movie is based on the character’s defining solo story. Plus, you know, the trailer looks to borrow that pulpy charm of inserting Wolverine into popular history (in this case, World War II), which as much Wolverine’s mutant superpower as healing or claws. So I’m still on board.

Anyway, check out the trailer below and let me know what you think.

Chris Claremont’s Run on Wolverine (Vol. 2) (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Although his extended run on Uncanny X-Men is one of the most renowned runs in comic book history, it’s easy to forget just how massively Claremont developed the X-Men franchise beyond that core book. He did, after all, launch spin-off titles like New Mutants or X-Calibur. The writer also shepherded the development of Wolverine outside the Uncanny X-Men book, producing the original Wolverine miniseries with Frank Miller, Kitty Pryde & Wolverine with Al Milgrom and even Save the Tiger in Marvel Comics Presents. Claremont also drafted nine of the first ten issues of Wolverine’s first on-going solo title and, while not the writer’s finest work by a significant stretch, it is a pulpy and entertaining read – one more firmly grounded in pop culture conventions than grim violence and anti-heroic nihilism. The issues are a light, fun collection of stories featuring the character, nothing more and nothing less.

A cut above the rest?

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Wolverine: Save the Tiger (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

In 2009, Marvel published a Wolverine Omnibus. I’m honestly surprised that it took the company that long to pull together a large volume of work featuring the character and dump it on the market. However, browsing the gigantic hardcover, I’m amazed at just how much Wolverine-related material Marvel published before the character got his own on-going series. There was the Claremont/Miller miniseries, Kitty Pryde & Wolverine, and seemingly numerous cameos and guest appearances in books outside the X-Men line. However, Save the Tiger, a ten-part story that opened the anthology series Marvel Comics Presents, occupies a crucial place in Wolverine lore. Written by Chris Claremont and illustrated by John Buscema, it reads as something of a dress rehearsal for the character’s seemingly inevitable on-going series.

No claws for concern…

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X-Men: The Dark Phoenix Saga – 30th Anniversary Edition (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Chris Claremont enjoyed the company of some of the most respected and renowned artists in comics while working on Uncanny X-Men. He had the pleasure of helping to establish talent like John Romita Jr., Marc Silvestri and Jim Lee, all modern giants working in the field. However, it’s hard to argue that Claremont ever worked in tighter synergy than he did with John Byrne. Byrne succeeded artist Dave Cockrum on the book, and helped Claremont helm several iconic and defining X-Men stories, delivering pay-off on years of set-up and radically reshaping notions of what a superhero comic could and could not do. Though the pair produced several genuine classics, The Dark Phoenix Saga stands as the artistic triumph of their run. One could make a compelling case that it’s Claremont’s finest X-Men story, or the finest X-Men story, or – if one weren’t feeling especially modest – perhaps the finest mainstream superhero story ever told.

Bird of prey…

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Weapon X by Barry Windsor Smith (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Barry Windsor-Smith’s Weapon X was a fairly divisive comic when it was first published. Tasked with providing an origin for that most popular and iconic X-Men character, Windsor-Smith produced a twelve-part tale exploring the character’s history inside the secret “Weapon X” programme. While most fans would have probably preferred a more straight-forward and accessible exploration of the character’s history and back story, Weapon X is a wonderfully dense piece of work and, I’d argue, a true piece of comic book literature.

A bloody mess...

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Chris Claremont & Frank Miller’s Wolverine (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

It’s almost hard to believe that Wolverine only earned his first solo miniseries in 1982. The character had first appeared as a foe in The Incredible Hulk in 1974, and was coopted in the X-Men with Len Wein’s Giant-Sized X-Men #1 a year later. During Chris Claremont’s celebrated Uncanny X-Men run, Wolverine emerged a hugely popular character. In fact, I think you could make the argument that Wolverine and Storm were the central protagonists of Claremont’s epic X-Men run. Still, given how ubiquitous the character has become in recent years, it’s impressive that it took so long for him to get a solo adventure. The four-part Wolverine miniseries, written by Chris Claremont and illustrated by Frank Miller, is generally regarded as one of the best miniseries that Marvel ever produced, and I think that it provided a lot of the momentum and characterisation that would sustain the character over three more decades of solo appearances.

Get some…

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X-Men by Jim Lee and Chris Claremont (and Marc Silvestri) Omnibus, Vol. 1 (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

If the nineties could be said to belong to any particular comic book franchise, they belonged to the X-Men. Marvel has done a great job collecting classic X-Men storylines in oversized hardcover, already having more than half of Chris Claremont’s very long run available in the format. Reading his work collected here, I find myself frequently conflicted – I can’t decide whether the writer was one of the best long-form storytellers in the medium, or whether he was writing by the seat of his pants. A lot of the threads he ties together might not wrap up satisfactory, but his overarching stories suggest an incredible amount of planning. As the author led the Uncanny X-Men into the nineties, the title seems almost in chaos, but the most carefully organised chaos imaginable.

We all have our crosses to bear…

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