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Non-Review Review: Moonrise Kingdom

I’ve always felt that Wes Anderson sees the world through the eyes of child. Events take on a surreal larger-than-life significance, characters are exaggerated, emotional interactions are somewhat simplistic, yet peppered with nuance and hidden depth. To be entirely honest, I’ve found this has a tendency to make Anderson’s adult characters difficult to relate to and his movies difficult to engage with. That’s why I think The Fantastic Mr. Fox worked so well, because it was a childish view of an adult work through the prism of a children’s story.

That’s also why, I think, Moonrise Kingdom works just as well as Anderson’s quirky foray into the world of stop motion animation. While many of Anderson’s films are tragedies about overgrown children living in the bodies of adults, Moonrise Kingdom is more keenly focused on how adults and children interact with one another – giving the movie a depth to complement Anderson’s unique stylistic vision, and heart to go with its cynical wit.

“Well, we know where we’re going…”

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Win! Moonrise Kingdom T-Shirts!

The lovely folks over at Universal Pictures Ireland have give us ten T-shirts to give away from the latest Wes Anderson release, Moonrise Kingdom. It premiered at Cannes last week, and it opens here on Friday. To be in with a chance to win, answer the question below.

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Non-Review Review: The Fantastic Mr. Fox

The Fantastic Mr. Fox isn’t a movie for everyone. It’s decidedly quirkily a Wes Anderson film above all else – above being an animated or stop motion film or a Roald Dahl adaptation. There’s the same dialogue and awkward poses and eccentric misunderstood characters at its core. It’s decidedly retro and it won’t win any awards for visual innovation. But – somewhat fittingly for a movie with a moral about being yourself – it is very much its own movie. Still, the suggestion that this isn’t a movie for kids is a little disingenuous. There are, I reckon, a lot of children who will enjoy the movie’s style and story and beauty. However, there will be a quite a few who won’t. But I reckon the same will be true of an adults as well. This is a movie for Wes Anderson fans, of all ages – even those who have never seen a Wes Anderson film before in their lives. But it’s also a film for those who can appreciate cinema in all its forms and with all its different trappings and styles. Those looking for a conventional animated children’s tale, or particularly light entertainment, will likely leave disappointed – but those looking for something with a bit more soul than usual will be right at home.

He's a foxy fella..

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Getting Animated – The Revival of Old-Fashioned Animation?

We live in the era of 3D and CGI. I remember back in they day there were worries and complaints by all the unions in Hollywood that the advent of perfect CGI would mean the end of actors in Hollywood – why pay Jim Carrey $20m a film when you can create a character for a fraction of that? Needless to say it hasn’t happened yet and I doubt it will. Hollywood and movies have always been the land of personalities. Get rid of those personalities and you have very little. It isn’t the antics of directors and writers that fuel the tabloid industry. So it’s logical that the part of the industry that has been most threatened by the marching on of science is the one where there is already minimal personality. I speak of course of the death of 2D animation. Although I hope I’m being premature – there have been two stories in the past 24 hours that indicated that old-fashioned non-live action films may not be quite dead.

Just a fraction less sophisticated than the animation Wes Anderson employs...

Just a fraction less sophisticated than the animation Wes Anderson employs...

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