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Non-Review Review: Deadpool 2

Like the original, Deadpool 2 is being talked about as a deconstruction or comedy. It’s not really. At least, not primarily.

Deadpool 2 is most effective as a very simple and straightforward superhero narrative with a shade more violence and a dash more awareness. There are laughs in Deadpool 2. And a few truly great jokes. There are even occasionally moments where Deadpool 2 will take a montage or a couple of scenes specifically to set up a later pay-off. However, these are the exception rather than the rule. And it’s no coincidence that this set-up leads to the biggest laugh in the film.

Not basic Cable.

More to the point, Deadpool 2 never opts for a joke over an efficient plot beat. Deadpool 2 never even distorts its plot in order to cram a few more laughs into the runtime. The gags are largely there to decorate the plot, not to direct it. They’re fun, but they aren’t especially brutal or pointed. There’s never a sense that Deadpool 2 exists as a deconstruction or critique of superhero movies, that it has anything especially insightful to say about the genre beyond accepting that modern audiences are genre-literate.

To be clear, this is not an issue with Deadpool 2. In fact, what’s most remarkable about Deadpool 2, particularly in the age of superhero bloat and franchising, is the relative efficiency with which it tells a simple story. For all the jokes about genitalia and all the pop culture references that crowd the narrative, there is more genuine emotion in Deadpool 2 than there is in Avengers: Infinity War. The characters are better defined, their arcs and motivations clearer, their agency repeatedly affirmed. There is an endearing and infectious earnestness beneath the dick jokes.

Just Joshing.

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