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An Interview with Robert Davi

We’ve been doing a bit of celebrating this month, to mark Bond’s fiftieth anniversary on film (and the release of Skyfall). Actor Robert Davi, who played the villain Franz Sanchez in Licence to Kill, was kind enough to get in contact with us about a piece we published covering the character, and politely volunteered to ask a few questions about the film. Davi has been a remarkably recognisable screen presence since the eighties, with roles in iconic movies like Licence to Kill, The Goonies, Die Hard and the hit television show Profiler.

He now manages his own film (Sun Lion Films) and music production (Sun Lion Records) companies. In 2007, he made his directorial debut with The Dukes, and launched a professional singing career in 2011. You can check out his Sinatra-inspired work at Davi Sings Sinatra, with some great testimonials. (Quincy Jones knows music, and his endorsement is worth more than mine – although consider mine offered as well. Check out a sampler here.)

The opportunity to ask Davi some questions was too good to pass up. It was a delight to be able to put some of my questions to him, and Davi was very generous with his time in answering quite a few of the more tangential and nerdy ones – a great insight into the construction of, I’d argue, one of the more fascinating Bond villains.

Non-Review Review: The Sapphires

The Sapphires is the perfect feel-good movie to take us into Oscar season. The “goldilocks” of feel-good cinema, the movie balances its tone well. It’s never too heavy, but it’s never too light. Dealing with the eponymous Aboriginal girl band and their career in Vietnam during the conflict, it’s often both witty and touching at the same time. This quality is best encapsulated by Chris O’Dowd, playing the group’s slightly dodgy Irish manager, Dave Lovelace. A barely-functioning alcoholic tasked with keeping the tensions in the group under control, O’Dowd manages to make Lovelace simultaneously hilarious and somewhat tragic – a character we truly like, even if we also pity him. It’s a fantastic performance in a very solid film.

Good morning, Vietnam!

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American Vampire, Vol. 2 (Review)

This October, to get us in the mood for Halloween, we’re taking a look at some awesome monster comics. Check back in every Monday this month for a review of Scott Snyder’s American Vampire Saga.

What happens to those childhood monsters when there are no more shadows to hide in? Do they leave? Do they move on? Or do they simply learn to live in the light?

– Cashel McCogan pretty much sums up American Vampire

The more I read, the more I like Scott Snyder’s American Vampire. The author has proven himself quite adept when it comes to writing comic books, handling his short stint on Detective Comics with great skill and proving a worthy scribe for Swamp Thing. Outside the mainstream superhero books, Snyder has defined himself as one of the leading writers of comic book horror. He did an outstanding job on Severed, but his on-going American Vampire might be the finest work I have read from the writer.

No bones about it, this something special…

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Commiserations! And Something to Perk Us Up!

We had the pleasure of attending the Blog Awards Ireland in the Osprey hotel over the weekend. We made the final five in the Best Pop Culture category. We didn’t win, losing out to a deserving A Year of Festivals in Ireland. There’s always next year. A massive thanks to the organisers as staff for all the hard work.

In other news, to help cheer us up, here’s Conan the Barbarian! The Musical.

I have no idea what the link is, but it made me smile. Also, “and hear the lamentations of their women” needs to be used in more chorus lines.

A View to a Bond Baddie: Franz Sanchez

To celebrate James Bond’s 50th birthday on screen (and the release of Skyfall), we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

As far as James Bond’s on-screen adversaries go, Franz Sanchez stands out for a number of reasons. Like Julian Glover as Aristotle Kristatos, Robert Davi seems like he might have wandered on to the set from a nearby sound stage. While the murky and subtle double-agent from For Your Eyes Only could have arrived from a John le Carré story, Franz Sanchez looks to have wandered out of Miami Vice. Licence to Kill represented an attempt by the producers to make Bond topical again, with mixed results. It’s still one of the most divisive films in the series.

Part of that attempt to modernise Bond was the decision to cast the character as a morally ambiguous anti-hero out for revenge, in contrast to the clean-cut morality of earlier adventures. However, Sanchez himself was also by-product of the attempt to modernise Bond. Bond was no longer hunting a spy, an assassin or a madman with plans of world domination. Instead, Bond found himself confronting a thug running an international drug cartel.

It’s all keeled over on him…

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Homeland: Season 1 (Review)

In many respects, Homeland feels like a more character-oriented version of 24. The comparison makes sense, beyond the spy games and the paranoia and the espionage, if only because of massive overlap between the production staff on both shows – with Howard Gordon, Sean Callery and Chip Johannessen working on both projects. I don’t think 24 gets enough respect as an exploration of the post-9/11 zeitgeist, probably due to its admittedly pulpy nature. Homeland feels a little bit more restrained, and more firmly grounded. The show is anchored in two fantastic lead performances from Claire Danes and Damien Lewis, and the series works best when it’s centred around the two main characters, driven by their issues and their demons.

Nicholas Brody and his “great big bushy beard!”

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Non-Review Review: Nick of Time

Nick of Time is an underrated nineties high-concept thriller that really runs on the charm of its cast and the skill of director John Badham.In a way, Badham seems stuck in a race against time that is just as tense as anything facing his protagonist. Badham has to make it from the start of the film to the final fadeout before the audience stops to think too much about the somewhat convoluted plot taking place. Nick of Time features perhaps the most ridiculously convoluted assassination attempt ever, but it’s generally so much fun that it’s easy not to get tangled in some of the logic problems.

They weren’t trained for this…

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Non-Review Review: Paranormal Activity 4

I actually quite liked the opening set-up of Paranormal Activity 4. As far as horror franchises go, the Paranormal Activity series is still much more spry than most other long-running series, and there’s a certain charm to the opening hour of Paranormal Activity 4 that seem almost playful. It feels strange to talk about a movie featuring an ominous demon hunting a small suburban family in these terms, but there’s a surprisingly warm and endearing sense of humour to be found in the first two-thirds of the film. Things definitely come off the rails towards the finalé, as the movie (and the series) become too burdened down with mythology and story – and the last third certainly becomes a little over-crowded and generic, threatening to collapse under its own weight as so many modern horrors do.

While it’s nowhere near as innovative, clever or genuinely frightening as Paranormal Activity, Paranormal Activity 4 measures up reasonably well to the standard set by the sequels, ending up much stronger than Paranormal Activity 2, and about on-par with Paranormal Activity 3.

Something to watch over me…

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American Vampire, Vol. 1 (Review)

This October, to get us in the mood for Halloween, we’re taking a look at some awesome monster comics. Check back in every Monday this month for a review of Scott Snyder’s American Vampire Saga.

In the end, though, it’s all about giving back the teeth that the current “sweetie-vamp” craze has, by and large, stolen from the blood suckers.

– Stephen King’s introduction to the collection

Stephen King, who wrote the origin half of this collection based off Scott Snyder’s notes, remarks in his wonderful foreword, “Here’s what vampires shouldn’t be: pallid detectives who drink Bloody Marys and only work at night; lovelorn southern gentlement; anorexic teenage girls; boy-toys with big dewy eyes.” American Vampire seems to be a strong rebuttal to all those modern and soft depictions of the blood-sucking monsters we’ve been swamped with over the last decade or so.

If that isn’t enough to at least interest you, then I don’t know what will.

Ch-ch-ch-changes…

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Non-Review Review: What Richard Did

The latest film from Lenny Abrahamson is a solid slow boil moral and psychological drama. It treads well-worn ground, exploring the relationship between guilt and entitlement, but does so in a relatively charming way, navigated by Abrahamson’s solid direction and a great central performance from Jack Reynor. However, it’s hard not see this as a variation on a familiar story, one we’ve seen rendered in an American and a British context quite often. Malcolm Campbell’s overly melodramatic script never quite manages to ground to film in a particularly Irish setting, despite the posh Blackrock background and the occasionally recognisable landmark. Even the title change, eschewing the novel’s Bad Day in Blackrock for a more generic What Richard Did seems to try to broaden the scope of the film, losing a lot of the more potentially fascinating avenues that could be explored.

More than his ego is bruised…

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