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Craig Kyle & Christopher Yost’s Run on X-Force – X-Necrosha (Review/Retrospective)

To celebrate the release of The Wolverine later in the month, we’re taking a look at some classic X-Men and Wolverine comics every Monday, Wednesday and Friday here. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.

I have a bit of a soft-spot for Craig Kyle and Christopher Yost’s X-Force. It’s nowhere near as good as Rick Remender’s Uncanny X-Force, and I’m not even sure that it’s good comics. However, it does capture the mood of the X-Men comics between House of M and Second Coming remarkably well.

Being frank, I think that the editorial direction of the X-Men line between House of M and Second Coming was a disaster. In fact, the work of Kieron Gillen on Uncanny X-Men and Jason Aaron on Wolverine & The X-Men following Schism demonstrates that the franchise spent six long years running in a gigantic circle to get back to where Grant Morrison’s New X-Men and Joss Whedon’s Astonishing X-Men had left it.

However, Yost and Kyle’s X-Force captures the mood of the line a lot better than Ed Brubaker or Matt Fraction’s work on Uncanny X-Men, willing to embrace the cynically and nihilitistically nineties vibe of the entire line.

Country of the dead...

Country of the dead…

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Kieron Gillen’s Run on Uncanny X-Men – Avengers vs. X-Men (Review/Retrospective)

To celebrate the release of The Wolverine later in the month, we’re taking a look at some classic X-Men and Wolverine comics every Monday, Wednesday and Friday here. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.

Kieron Gillen is one of the unsung heroes of modern superhero comics. Over the past few years, Gillen has come to the attention of readers for replacing or supplementing a-list talent on a-list books. He took over Thor after J. Michael Straczynski abruptly wrapped up his run on the Norse god, only to shuffle off the book when Matt Fraction took over. While Straczynzki’s run was collected in an omnibus, Gillen’s has yet to receive hardcover status. He wrote the wonderfully underrated Journey into Mystery as a supplement to Fraction’s Thor, which might hopefully get a deluxe reprinting at some point in the future.

He took over Uncanny X-Men following Fraction’s departure. He barely had time to establish his run on Marvel’s merry mutants before writer Jason Aaron up-ended the status quo with Schism, essentially restructuring Marvel’s X-Men line. Gillen remained on Uncanny X-Men in the wake of Schism, the title resetting to #1. However, less than a year into the run, Gillen’s Uncanny X-Men was caught up in Marvel’s high profile crossover of the year, Avengers vs. X-Men.

Explosive...

Explosive…

Gillen departed the book following Avengers vs. X-Men, in yet another reshuffle of Marvel’s X-Men line. (Brian Bendis promised to push the line in a new direction, writing both All-New X-Men and Uncanny X-Men.) Half of Gillen’s run on the relaunched Uncanny X-Men was tied into the gigantic Avengers vs. X-Men.

But don’t let that fool you. It’s really very, very good. In fact, it ranks as among the very best X-Men work since Joss Whedon and John Cassaday left Astonishing X-Men.

All fired up...

All fired up…

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Secret Warriors Omnibus (Review/Retrospective)

There are plans within plans… wheels within wheels. The old order is waking from a deep sleep any my masters… they hunger for knowledge of this new world.

– Leviathan Disciple

Secret Warriors is an interesting ride. It’s a rather bold narrative, crafted with a great deal of skill by author Jonathan Hickman, exploring an interesting underbelly of the Marvel Universe, while providing a pretty compelling exploration of Marvel’s super-spy Nick Fury. It reads like a densely-packed pulpy espionage thriller, with Hickman cleverly layering the story and gradually peeling back the skin to reveal wheels within wheels. While the climax of the story isn’t as strong as it should be, Secret Warriors still makes for an interesting read, a relatively long-running series that was carefully planned out from the beginning and executed with considerable style.

Secret Agent Man!

Note: There will be spoilers in this here review. Don’t worry, I’ll flag them before we reach them, but given the twisty nature of the narrative, I thought I’d let you know up-front.

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Chris Claremont’s Run on Wolverine (Vol. 2) (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Although his extended run on Uncanny X-Men is one of the most renowned runs in comic book history, it’s easy to forget just how massively Claremont developed the X-Men franchise beyond that core book. He did, after all, launch spin-off titles like New Mutants or X-Calibur. The writer also shepherded the development of Wolverine outside the Uncanny X-Men book, producing the original Wolverine miniseries with Frank Miller, Kitty Pryde & Wolverine with Al Milgrom and even Save the Tiger in Marvel Comics Presents. Claremont also drafted nine of the first ten issues of Wolverine’s first on-going solo title and, while not the writer’s finest work by a significant stretch, it is a pulpy and entertaining read – one more firmly grounded in pop culture conventions than grim violence and anti-heroic nihilism. The issues are a light, fun collection of stories featuring the character, nothing more and nothing less.

A cut above the rest?

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Wolverine: Save the Tiger (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

In 2009, Marvel published a Wolverine Omnibus. I’m honestly surprised that it took the company that long to pull together a large volume of work featuring the character and dump it on the market. However, browsing the gigantic hardcover, I’m amazed at just how much Wolverine-related material Marvel published before the character got his own on-going series. There was the Claremont/Miller miniseries, Kitty Pryde & Wolverine, and seemingly numerous cameos and guest appearances in books outside the X-Men line. However, Save the Tiger, a ten-part story that opened the anthology series Marvel Comics Presents, occupies a crucial place in Wolverine lore. Written by Chris Claremont and illustrated by John Buscema, it reads as something of a dress rehearsal for the character’s seemingly inevitable on-going series.

No claws for concern…

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Kitty Pryde and Wolverine (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Chris Claremont didn’t invent Wolverine, but he defined him. Long before Wolverine was appearing in multiple team books and multiple solo series, the short and hairy Canadian was developed within Claremont’s Uncanny X-Men. When the time came to develop the character beyond that, it was Claremont that handled the four-issue Wolverine series, and it was Claremont who handled this six-issue Kitty Pryde & Wolverine miniseries. The market had yet to reach Wolverine saturation. However, Kitty Pryde & Wolverine is remarkable as a spiritual extension of Claremont’s Uncanny X-Men run. Without the influence of Frank Miller, this six-issue collection feels more distinctly like a microcosm of Claremont’s extended work on the franchise, bringing into focus his strong character work, his pulpy sense of storytelling and, occasionally, his excessively purple prose.

Stayin’ sharp…

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X-Men: Fatal Attractions (Review/Retrospective)

I’ll freely concede that I feel a bit conflicted when it comes to the X-Men comic books in the nineties. On the one hand, they were prone to nineties excesses, seemingly constantly in the midst of a sales-boasting crossover event, increasingly toyetic with steretypical portrayals and male and female anatomy. Also, to be entirely honest, they were never as exciting or creative as they had been when Claremont was directing the line – even his more esoteric efforts developed key themes and harboured a hint more ambition and sophistication than most of what followed.

However, I don’t want to give the impression I’m not fond of the X-Men in the nineties. That era, through the toys and the cartoon show, introduced me to the team. And, to be entirely fair, the books were very far ahead of the worst of what Marvel was publishing (as I’m currently reading The Crossing, I can vouch for that). I also have a certain amount of sympathy for a bunch of writers trying to find a direction for an entire line of books after a monumental and defining run by Chris Claremont. In many ways, Fatal Attractions reads like an attempt to draw a line in the sand under Claremont’s contributions to the franchise, and to boldly push forward with a modern take on the merry mutants.

It’s his magnetism, Charles…

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X-Men: The Dark Phoenix Saga – 30th Anniversary Edition (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Chris Claremont enjoyed the company of some of the most respected and renowned artists in comics while working on Uncanny X-Men. He had the pleasure of helping to establish talent like John Romita Jr., Marc Silvestri and Jim Lee, all modern giants working in the field. However, it’s hard to argue that Claremont ever worked in tighter synergy than he did with John Byrne. Byrne succeeded artist Dave Cockrum on the book, and helped Claremont helm several iconic and defining X-Men stories, delivering pay-off on years of set-up and radically reshaping notions of what a superhero comic could and could not do. Though the pair produced several genuine classics, The Dark Phoenix Saga stands as the artistic triumph of their run. One could make a compelling case that it’s Claremont’s finest X-Men story, or the finest X-Men story, or – if one weren’t feeling especially modest – perhaps the finest mainstream superhero story ever told.

Bird of prey…

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X-Men: X-Tinction Agenda (Hardcover) (Review)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

X-Tinction Agenda makes for a potentially fascinating X-Men crossover, tying together Uncanny X-Men, X-Factor and New Mutants to tell a single cohesive story. It’s not a new approach – it was pioneered by The Mutant Massacre and Inferno – but it is perhaps the definitive approach to X-Men related crossovers (it’s still in use today for stories like Second Coming). It’s fascinating, because it sees the creative teams pick up on something that Claremont had introduced over thirty issues earlier, as if recognising a gem of an idea really deserved further development. That said, despite some decent writing and art, X-Tinction Agenda can’t help but feel like it wastes its potential, hitting on an absolutely fascinating premise and deftly tying the three on-going monthly comic books together, but ending up as little more than an explosive knock-down brawl.

The Wolv pack…

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X-Men by Jim Lee and Chris Claremont (and Marc Silvestri) Omnibus, Vol. 1 (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

If the nineties could be said to belong to any particular comic book franchise, they belonged to the X-Men. Marvel has done a great job collecting classic X-Men storylines in oversized hardcover, already having more than half of Chris Claremont’s very long run available in the format. Reading his work collected here, I find myself frequently conflicted – I can’t decide whether the writer was one of the best long-form storytellers in the medium, or whether he was writing by the seat of his pants. A lot of the threads he ties together might not wrap up satisfactory, but his overarching stories suggest an incredible amount of planning. As the author led the Uncanny X-Men into the nineties, the title seems almost in chaos, but the most carefully organised chaos imaginable.

We all have our crosses to bear…

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