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Non-Review Review: Into the Storm

Into the Storm is at least up front about its intentions.

It is a surprisingly pragmatic natural disaster film, one that moves with almost ruthless efficiency. Quite like the eponymous storm front, it goes where it wants to go, with little consideration for minor details like character development or intricate plotting. Into the Storm is a movie that knows what it wants to be and what it wants to be. There’s a strange utility to the world of Into the Storm.

Gimme shelter...

Gimme shelter…

In this world, used car lots exist purely to provide material for hurricanes to toss through the air; abandoned mills with all sorts of dangerous chemicals exist purely to put young members of the cast in peril; youtube-obsessed hicks exist solely as comic relief to be be shuffled out of the film before the stakes get well and truly raised. It’s a film that believes that twisters are fine on their own, but things can always be enhanced by the addition of a fire twister or by combining multiple twisters into a giant twister.

Into the Storm is a film so ruthlessly up front that it puts the Sci Fi (or SyFy) Channel to shame. There’s something almost endearing about that, even the result is far from satisfying.

Who films the filmmakers?

Who films the filmmakers?

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