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On Second Thought: Apocalypse Now (Redux)

I wrote in my review of the original version of the movie that the two-and-a-half-hour cut captured a great deal of the insanity that seems to have been a defining characteristic of the Vietnam War, with the movie feeling like a crazed surrealist trip into madness, a collection of abstract meditations on the American condition that felt compressed at over two hours. If that is the case, Apocalypse Now Redux captures another aspect of the conflict. It’s now less insane, but the instability and absurdity appear more systemic and endemic. It’s bloated, terrifying, harrowing and seemingly eternal.

Much like the war itself.

Back into the Heart of Darkness...

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Non-Review Review: 1984

1984 is a solid adaptation of a classic novel, featuring a fantastic leading performance from John Hurt as Winston Smith. The movie (released to coincide with the year) suffered a bit at the time (and in retrospect) from not being the best adaptation of Orwell’s ground-breaking novel to make it the big screen in 1984-5 – being somewhat upstaged by Terry Gilliam’s masterpiece Brazil. While obviously not a direct adaptation of the novel (in fact, Gilliam has admitted he hadn’t even read the book at the time of release), the latter film explores the same core themes and ideas. However, virtually any film would pale in comparison when measured against a movie like Brazil (which ranks in my top ten films ever), and 1984 really deserves to be seen on its own merits.

Welcome to an edition of Big Brother where every room is a "Diary Room"...

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War of Kings (Review/Retrospective)

This is the twelfth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

War of Kings is perhaps the best thing to come out of Secret Invasion. In fact, the miniseries went out of its way to highlight its links to the Marvel comics mega-event, with the story even kicking off in a Secret Invasion: War of Kings special (note the order there, it isn’t War of Kings: Secret Invasion). However, not withstanding the attempts to tie the series back to the high-selling mainstream events that Marvel was consistently churning out, War of Kings is essentially an epic space opera, the story of an interstellar war and alien politics, told with the wit and charm that writer Dan Abnett and Andy Lanning have made the cosmic line famous for. Tying it into Secret Invasion only serves to highlight the deficiencies with that event, as the writers here attempt the same sort of story with the same sort of themes, but with more skill and grace than the bigger event could off.

Now is the time...

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