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Non-Review Review: Anna Karenina (2012)

All the world is a stage, literally for Joe Wright’s adaptation of Tolstoy’s classic novel. Anna Karenina is visually stunning, and perfectly put together, doing a workman-like job of condensing Tolstoy’s 800-page doorstopper into a film running justover two hours. The wonderfully inventive idea of staging the film entirely in a theatre – from the foyer to the rafters to the stage itself – gives Wright the opportunity to showcase his talent as one of the finest working directors today. Tom Stoppard’s scripts is dripping with wit and does an excellent job providing digestible chunks of Tolstoy’s epic and a fair few pithy one-liners. Unfortunately, this is countered by the fact that the film never feels like it’s quite enough, and in particular the fact that its central figure feels like a shadow cast against a back wall rather than a three-dimensional character.

Save the last dance…

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