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New Podcast! The X-Cast X-Files Podwatch – Episode #90 (DeadAlive/Three Words)

I’m thrilled to be a part of The X-Cast X-Files Podwatch, a daily snippet podcast rewatching the entirety of The X-Files between now and the launch of the new season. It is something of a spin-off of The X-Cast, a great X-Files podcast run by the charming Tony Black. Tony has assembled a fantastic array of guests and hosts to go through The X-Files episode-by-episodes. With the new season announced to be starting in early January, Tony’s doing two episodes of the podcast per day, so buckle up. We’re in the home stretch.

I’m back on the podcast for the home stretch of the eighth season, the third act of the season-long drama that reunites Mulder and Scully as both contemplate their futures within the X-files unit. This time, I’m discussing Mulder’s return in DeadAlive and his struggle adapting to the eighth season in Three Words, teaming with the great Baz Greenland.

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The X-Files – Three Words (Review)

This October/November, we’re taking a trip back in time to review the eighth season of The X-Files and the first (and only) season of The Lone Gunmen.

There is no “to be continued…” explicitly linking DeadAlive to Three Words, but there doesn’t have to be.

In this final stretch of the eighth season, The X-Files adapts a somewhat serialised narrative model. Although stories like Empedocles and Vienen technically serve as “monster of the week” stories that stand alone, they feel very particular to this moment in the show’s history. Mulder’s return to the land of the living in DeadAlive does not mark a return to the status quo, despite his best efforts. Instead, it creates a highly volatile (and, by its nature, transitory) set-up that cannot be maintained over an extended period.

Howard Salt was willing to go to any lengths to return the President's copy of The X-Files film.

Howard Salt was willing to go to any lengths to return the President’s copy of The X-Files film.

This is not a sustainable status quo. This is not “business as usual.” This is not what the ninth season will look like. This is not like those other changes to the status quo that occurred at the start of the second and sixth seasons, when Mulder and Scully were taken off the X-files but continued to investigate cases that were X-files in all but name. Episodes like Blood or How the Ghosts Stole Christmas could be transitioned into a regular season order with a minimum of changes, but these episodes all feel uniquely tailored to this point in the show’s history.

As such, the end of the eighth season takes on a loosely serialised quality, and not just in the story of the new mythology or the so-called “super soldiers.” The character dynamics evolve and grow, with the individual episodes seeding character development leading the season finalé. Episodes like Three Words and Vienen make it increasingly clear that Mulder is not back in an permanent sense by first pushing him away from the X-files and then firing him from the FBI. Scully’s pregnancy is actually allowed to progress at this point in the season.

He's back!

He’s back!

This serialisation is apparent in the discrepancies between the production and broadcast order. As with extended sections of the fourth season, the final stretch of the eighth season was produced in a different order than it was broadcast. Unlike the fourth season, however, this shift does not create any dissonance as significant as the conflict between the version of Never Again that was filmed and the one that was broadcast. Despite being produced in a different order, these stories could not work in any order other than the broadcast order.

Although The X-Files frequently gets credit for pioneering and popularising (or, at the very least, re-popularising) serialised narratives on prime-time television, the final stretch of the eighth season is perhaps the serialised stretch of the entire nine-year run.

A touching reunion...

A touching reunion…

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