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Star Trek III: The Search for Spock (DC Comics, 1984) (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins. Check back daily for the latest reviews and retrospectives.

In 1984, DC secured the license to print Star Trek comics. They retained the license into the nineties, allowing the publisher to release their own comic book adaptations of each of the four remaining classic Star Trek movies. They even got to publish an adaptation of Star Trek: Generations before the rights transferred to Marvel. Mike W. Barr and Tom Sutton got to produce 64-page adaptations of Star Trek III: The Search for Spock and Star Trek IV: The Voyage Home, lending some consistency to the last two instalments in the trilogy that began with Star Trek II: The Wrath of Khan.

While its impressive visuals and relaxed pacing meant that Star Trek: The Motion Picture leant itself to a comic book adaptation, The Search for Spock is not quite as nice a fit for the medium. The movie’s plot is quite complicated, with lots of things going on at different times with different characters in different locations. One of the joys of the film is the way that it tries to turn Star Trek into an ensemble piece in Spock’s absence, with each of the main characters getting a moment in the sun during the Enterprise jailbreak. The comic simply doesn’t have the space to do this, and the result is an adaptation feels a little compressed.

At the same time, though, writer Mike W. Barr does get to showcase his love of the franchise, and his deft technical skill.

Let's see what's out there...

Let’s see what’s out there…

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Star Trek III: The Search for Spock by Vonda N. McIntyre (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins. Check back daily for the latest reviews and retrospectives.

Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock and Star Trek IV: The Voyage Home form a loose trilogy following the death and resurrection of the franchise’s most iconic character. The events of each leads into the next, and there’s a very clear pattern of cause and effect that brings you from Saavik’s Kobayashi Maru test through to Kirk’s assignment to the Enterprise-A. The start of each of the three films picks up from the end of the last one. It brings the characters involved on a full arc.

However, despite this, there is a bit of a disconnect between the feature films – perhaps inevitable for three movies conceived separately one-after-another. The Wrath of Khan is a story about how Kirk is perhaps broken, too old and too reckless to keep doing the stuff that he does; The Search for Spock shrugs that off by having Kirk joyride on the Enterprise. The Wrath of Khan introduces a next generation of characters in the form of Kirk’s son David Marcus and Spock’s protégé Saavik; The Search for Spock kills David and The Voyage Home dismisses Saavik.

While The Search for Spock might begin with the Enterprise limping back to Earth following the confrontation with Khan, it seems to gloss over every part of The Wrath of Khan that isn’t directly related to the death of Spock. Genesis is carried over as Spock’s final resting place, but Khan isn’t mentioned, nor is the Reliant; Carol Marcus doesn’t appear; the deaths of the cadets on the cruise and the staff of Regula I are somewhat glossed over.

The most interesting aspect of Vonda McIntyre’s adaptation of The Search for Spock is the way that it makes a point to carry over elements from The Wrath of Khan into the story. Indeed, McIntyre is almost a third of the way into the book before reaching the actual plot. The result is an interesting novel that feels more like a sequel to The Wrath of Khan than a direct rebuttal, as the film had been.

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