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A Matter of Time – Doctor Who: Season 5

Sorry… Sorry! Dropped it!

Hello, Stonehenge! Who takes the Pandorica, takes the universe. But bad news everyone… cause guess who! Listenw you lot, cause you’re all whizzing about – it’s really could distracting. Could you all just stay still for a minute? Because I. am. talking!

Now, question of the hour: who’s got the Pandorica? Answer: I do. Next question: who’s coming to take it from me?


Look at me: no plan, no backup, no weapons worth a damn – oh, and something else I don’t have? Anything to lose! So if you’re sitting up there in all your silly little spaceships with your silly little guns and you’ve got any plans on taking the Pandorica tonight, just remember who’s standing in your way; remember every black day I ever stopped you; and then – and then! – do the smart thing: let somebody else try first.

– The Doctor, The Pandorica Opens

Well, the first season of Stephen Moffat’s run of Doctor Who is over. And what a ride it was. On one hand, you had budget cuts at the BBC, putting an even great financial strain on the show’s transition to high definition, the first wholsecale chance of the entire cast between seasons since the show’s transition to colour in 1970 (and, fittingly, this was the show’s transition to high definition), and you had the World Cup skewing ratings towards the backend of the season. On the other hand, you had the writer of some of the show’s best episodes directing the entire run behind the scenes, the exploration of the time travelling nature of the central protagonist, and a blatant admission that the show is more a fairytale than a science fiction epic. And along the way, there was barely enough time to catch your breath.

No time to lose...

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Reset for Adventure: Has Stephen Moffat Salvaged the Reset Button?

Next week sees the season finale of Stephen Moffat’s first season as showrunner on the rather excellent Doctor Who. I have to admit that – with one or two minor misgivings – I’ve had a (space)whale of a time, just we’ll save that for the inevitable review. However, being the sort of meta-textual guy that I am, I love that Moffat has managed to balance both integrating this new iteration of the franchise (created and, despite what some naysayers would have you believe, served very well by Russell T. Davies) and connecting with the established history (note, for example, how many times we have seen flashbacks of the original eight versions of the character in these eleven episodes alone). What, however, has really grabbed me about this run of episodes is that fact that Moffat has seemingly decided to take one of the most common elements of Davies’ season finales – a reset button – and stretch it out over an entire season. In effect, he seems to be attempting to reclaim one the storytelling crutches that his predecessor arguably relied upon too heavily, but use it in an interesting and creative manner.

If the walls had eyes...

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