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Non-Review Review: The Mercy

It can be tempting when reviewing contemporary films to looks for some sort of profound meaning, some deep insight on the contemporary world reflected back on celluloid. This is particularly true in the current climate, when it seems like every piece of American pop culture is just waiting to be read as a meditation upon the tenure of President Donald J. Trump. Some of this is because politics are particularly inescapable at this moment, when a reality television star is the leader of a free world. Part of it is perhaps down to critics trying to make their own meaning in the world.

Nevertheless, The Mercy seems to be the quintessential Brexit film. A biography of (in)famous British sailor Donald Crowhurst, The Mercy is a fascinating piece of a work. A large part of the film’s success is down to how skilfully and cannily it manipulates its audience and their expectations, how heavily leans on the tropes and conventions of the standard biographical drama to wrongfoot the viewer. The Mercy starts out as one type of film, only to make a brutal swerve into another. It is a harrowing tale of grand delusion smashed against the shoals of reality.

Tough sail.

Note: This review will assume some passing familiarity with the story of British sailor Donald Crowhurst. These true-life events may be considered spoilers for audience members without any foreknowledge and who wish to see the movie entirely blind. So consider this something of a spoiler warning.

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