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Non-Review Review: The Death of Stalin

The Death of Stalin is an ambitious tonal mishmash.

The Death of Stalin is funny and smart. It is a very well observed comedy of errors set against the backdrop of the power struggle that unfolds against the backdrop of the passing of the eponymous Soviet dictator. Officials, relatives and hangers-on all jockey for position, scrambling over one another to secure their place on top of the heap. “How can you scheme and run at the same time?” Lazar Kaganovich challenges Nikita Khrushchev at one point during the film, a line that sets the tone for the ensuing madcap chaos.

Fools Russia in.

However, The Death of Stalin struggles to find the right pitch for its political shenanigans. Based on historical events, The Death of Stalin juxtaposes the sly and transparent manoeuvrings of its central characters against depictions of real-life historical violence and brutality. The Death of Stalin is very candid about the collateral damage incurred by these sorts of regimes, as well it should be. The Death of Stalin would be wrong to gloss over the human cost of its political jousting. At the same time, these brutal beats undercut the movie’s broader slapstick comedic plotting.

The Death of Stalin is charming and endearing in places, but it struggles to find a proper tone. The Death of Stalin is at once too dark to work as a broad farce and too light to play as a pitch black comedy. The result is a movie that feels far too unbalanced and unhinged, with brilliant moments and great performances that never manage to find a consistent groove.

Sorry state of affairs.

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