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Non-Review Review: La French (The Connection)

This film was seen as part of the Jameson Dublin International Film Festival 2015.

La French (aka The Connection) looks and sounds beautiful.

Working with cinematographer Laurent Tangy, director Cédric Jimenez manages to capture the scenic beauty of seventies Marseilles. The classic architecture, the sea views, even the hot night spots all look absolutely stunning. Le French manages to capture the crisp feeling of the late seventies without ever feeling stylised or staged. Similarly, Jimenez manages to pull together a beautifully evocative soundtrack, with songs as distinct as Call Me and This Bitter Earth helping to underscore emotionally-charged sequences and giving the film a sense of style and taste.

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La French is a stylishly-constructed crime thriller that stretches from the south of France to New York and back again, a family loosely inspired by the infamous “French Connection” that fed drugs into France and overseas to the United States. However, despite its obvious overlap with William Friedkin’s The French Connection, it seems like Jimenez owes more to the work of filmmakers like Michael Mann or Martin Scorcese, constructing a crime epic that flows beautifully and effortlessly, with an impressive soundtrack complimenting a dynamic visual style.

This is perhaps the biggest problem with La French, a sense that there might actually be too much style – that the film may occasionally feel a little too hollow or detached from its twin leads. However, Jimenez cleverly casts Jean Dujardin and Gilles Lellouche in the lead roles, who help anchor the film with a sense of humanity that only occasionally gets lost in the film’s beautifully-crafted production.

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