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Non-Review Review: The Commuter

The Commuter is the best Neeson Season movie since The Grey and the best movie about the financial crisis since The Big Short.

On paper, The Commuter is a mildly interesting premise that feels very much of a piece with the typical January awards-fare counter-programming. It is very much a high-concept action film that feels populated from a mad lib. [Liam Neeson/Bruce Willis/Gerard Butler] is a [former cop/current cop/law enforcement official] who finds himself embroiled in a race against time to [protect/rescue/expose/defeat] a [loved one/conspiracy].

McCauley took the instruction not to fire the gun inside the carriage a little… literally.

The Commuter is very much of piece with Liam Neeson’s other collaborations with director Jaume Collet-Serra; Unknown, Non-Stop, Run All Night. It is a movie about a weary protagonist embroiled in a situation beyond his control, the perfect fodder for a midweek movie to be enjoyed with a bucket of pop corn and a soft drink of choice. However, what elevated The Commuter above these earlier collaborations is similar to what elevated Collet-Serra’s The Shallows above so many familiar shark movies.

The Commuter has the look and feel of a big dumb action movie, a film inviting the audience to engage on its own terms rather than theirs. However, there is a very knowing and self-aware quality to The Commuter, an understanding of what the audience expects of the film and what the film can expect from the audience in return. The result is a film that always feels smarter and better than it needs to be, very carefully calibrated; just serious enough to work, just self-aware enough to charm. The result is a delightfully enjoyable action film.

Dial “C” for Commuter.

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