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Non-Review Review: The Big Sick

What is most striking about The Big Sick is the sense of authenticity, and not in the most obvious way.

The Big Sick was written by the husband and wife team of Kumail Nanjiani and Emily Gordon, loosely inspired by their own romance. Nanjiani plays a fictionalised version of himself, a stand-up comedian working in Chicago dealing with the weight of his parents’ expectations. Zoe Kazan plays a slightly more fictionalised version of Gordon, swapping out the surname Gordon for Gardner. The broad strokes of the story conform to how Nanjiani and Gordon came to meet and fall in love, and some of the barriers that arose between them. So The Big Sick is authentic in a very literal way.

However, The Big Sick is most striking in its small moments. While the movie is obviously built around the narrative arc of this true-to-life relationship, it perfectly captures all the weird little moments that define people. Nanjiani is a comedian by profession and Gordon is a psychologist, and there is a sense that both are keen observers of human nature. There are a lot of little touches in the film that resonate, that add a sense of convincing realism and gravity to a story that is dealing some very weighty material. (After all, the title of the film kind of hints at the stakes.)

The Big Sick is an astoundingly beautiful piece of work.

Full disclosure: Kumail Nanjiani is a very nice person. I don’t know him personally, but he very kindly agreed to write the intro to my upcoming book Opening the X-Files: A Critical History of the Original Series. Which I believe was in the middle of the production of this film, so I greatly appreciate that.

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