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New Escapist Column! On the Superhero Genre’s Existential Crisis…

I published a new In the Frame piece at The Escapist this evening. With no major new releases this week, and with the recent release of both Secret Invasion and The Flash, it seemed like a good opportunity to take a look at the state of the modern superhero genre.

While there are ongoing debates about whether “superhero fatigue” has set in, these are largely besides the point. Watching contemporary superhero films, there is a palpable anxiety underpinning these blockbusters. Increasingly, these superhero films are about superhero films. In particular, they are movies and television shows that make an existential argument for their continued importance and necessity.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Secret Invasion” Finally Foregrounds Nick Fury…

We’ll be running weekly reviews of Secret Invasion at The Escapist. To start with, the premiere.

Secret Invasion is notable as the first Marvel Studios project to truly foreground Nick Fury, a character who has been essential to the shared universe dating back to the closing credits of Iron Man. It’s interesting that it took the shared universe fifteen years to build a narrative around Samuel L. Jackson. Secret Invasion adopts an interesting approach to the character, treating him as an avatar for the increasingly beleagured media franchise, a veteran and hero that might be over the hill with his best years behind him.

You can read the piece here, or click the picture below.

New Escapist Column! On What Kevin Feige Doesn’t Get About “Superhero Fatigue”…

I published a new In the Frame piece at The Escapist this evening. Last week, Marvel Studios President Kevin Feige made an argument that he could never understand the idea of “superhero fatigue”, referencing the diversity of genres and stories in superhero comics.

Feige’s response was interesting for a number of reasons. Most obviously, it was technically correct. Comic books are incredibly flexible in the kind of stories they tell and the way that they tell them. However, Feige’s answer sidestepped the obvious problem. In recent years, the superhero movie has grown more conservative and more conventional, becoming less likely to embrace different tones and styles, or to tell different kinds of stories. In the past fifteen years, the entire comic book adaptation genre has been flattened down to “Marvel movies”, and that is a very real problem.

You can read the piece here, or click the picture below.