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Star Trek: The Next Generation – Booby Trap (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Booby Trap is a bit of a mess. The writing credits for the episode, featuring four different writers credited with getting the idea from basic story to finished script. This wasn’t at all unusual in the show’s third season – consider the writing credits for Yesterday’s Enterprise – but it gives an indication of the chaos unfolding behind the scenes on the third season of Star Trek: The Next Generation.

It’s Michael Piller’s second credited script, and his first writing credit since he took over the writers’ room. (Although he did, along with Melinda Snodgrass, do a pass on Ronald D. Moore’s script for The Bonding.) As such, it is written with a very clear idea of where Piller wants to take the show, one that shines through a somewhat uneven and all-over-the-place plot, which often feels like several different scripts blended into one.

Building on what came before...

Building on what came before…

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Star Trek: The Next Generation – The Bonding (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Bonding is a pretty pivotal and momentous episode for Star Trek: The Next Generation. On one hand, it’s the first episode overseen by incoming executive producer Michael Piller. Piller would go on to become one of the most influential producers to work on Star Trek. Aside from steering The Next Generation towards success, he also created Star Trek: Deep Space Nine and Star Trek: Voyager, as well as overseeing the production of the first three Next Generation films.

However, The Bonding is also the first script written by Ronald D. Moore. Obviously, the version that made it to screen had been revised and tweaked by Melinda Snodgrass and Michael Piller, but The Bonding still feels like a Moore script. Ronald D. Moore would go on to be one of the more influential writers on The Next Generation and Deep Space Nine. He also worked (very) briefly on Voyager, before departing and heading up his own reboot of Battlestar Galactica.

So The Bonding is the beginning of something new, an original direction for The Next Generation. Featuring a powerful and wonderful opening half, The Bonding suffers a bit from falling into conventional Star Trek tropes towards the end of the episode. However, it’s still a clever and powerful piece of television.

A bit of shadow...

A bit of shadowplay…

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Star Trek: The Next Generation – The Survivors (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Michael Wagner remains something of a forgotten figure among Star Trek fans. While anybody familiar with the behind-the-scenes workings on Star Trek: The Next Generation is aware of the contributions made by the wonderful Michael Piller, and quite a few would be familiar with the work of Maurice Hurley during the first two seasons, Wagner’s four-episode tenure as executive producer and head writer is something of a mystery.

Situated right in the middle of that four-episode run, and the only Star Trek script on which Wagner does not share a credit, The Survivors seems like the most obvious indicator of what Wagner’s version of The Next Generation might have looked like. Of course, it’s impossible to extrapolate from a single episode of television, let alone a single episode of an era that was over before it already began, but it is interesting to look at how Wagner’s work here differs from the style that would be imposed by Piller.

The Survivors is a decidedly high-concept science-fiction mystery, feeling almost like an episode of an anthology featuring the regular cast. Built around a guest star, The Survivors is very much radically opposed to Piller’s vision of character-driven Star Trek.

"Nice house. Can't see much about the neighbourhood, though."

“Nice house. Can’t see much about the neighbourhood, though.”

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Star Trek: The Next Generation (DC) Annual #3 – The Broken Moon (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the first season of the Next Generation, specifically the episode Conspiracy.

If you were to construct a list of the most niggling unresolved plot threads in the history of the Star Trek franchise, “what was up with those things from Conspiracy?” would likely rank up there alongside “so, did Bajor ever join the Federation?” Funnily enough, author S.D. Perry would tie those two dangling plot points up in her Deep Space Nine relaunch book, Unity.

However, several other writers have tried to figure out what exactly was going on with those mind-controlling parasites who appeared at the end of the first season of Star Trek: The Next Generation and were never heard from again. According to Ronald D. Moore on Inside the Writers’ Room on the third Next Generation blu ray box set, various writers for the show tried to revisit the idea, but Roddenberry hated that episode so much nothing was ever developed.

The Broken Moon, the third annual for DC’s Next Generation comic book series, offers its own take on the mind-controlling parasites. While writer Michael Jan Friedman wisely avoids revealing too much about these creatures, the story suffers because it never figures out anything interesting to do with them.

It always bugged me...

It always bugged me…

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Star Trek: The Next Generation – The Ensigns of Command (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Ensigns of Command is a Data-centric script from Melinda Snodgrass, the writer responsible for The Measure of a Man. It was the first episode produced in the show’s third season, even if it was the second to air. As with so many third season episodes, The Ensigns of Command was beset by behind-the-scenes difficulties. These issues plagued the episode through all stages of production – from the script through to post-production.

It is a wonder that The Ensigns of Command turned out watchable. While it certainly can’t measure up to Snodgrass’ earlier Data-centric story, it is an intriguing character study that benefits from a focus on character and an understanding of Star Trek: The Next Generation works. While far from an exceptional or defining episode of The Next Generation, it’s a demonstration of how far the show has come that even an episode as troubled as this could look so professional and feel so satisfying.

A fun shoot...

A fun shoot…

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Star Trek: Deep Space Nine – The Lives of Dax: Sins of the Mother (Audrid) by S.D. Perry (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the first season of the Next Generation, specifically the episode Conspiracy.

The Star Trek: Deep Space Nine relaunch was the first truly successful attempt to continue a Star Trek television show past its final episode. Of course, there had been novels written before taking place after the finalés of the various shows, but the Deep Space Nine relaunch was the first conscious attempt to directly build upon the events of the series and structure the novels as something of an “eighth season” to the show. If I get through the seven years of Deep Space Nine, I am seriously considering covering the novels.

What’s interesting is that the novels didn’t quite come to be in an instant and decisive sort of way. There was a hazy grey period where books were published after What You Leave Behind, but not necessarily structured as part of that “eighth season.” Two of those books, The Lives of Dax and A Stitch in Time were retroactively welcomed into the relaunch. Indeed, this short story from S.D. Perry proves to pretty essential to the relaunch as a whole.

Like Deep Space Nine itself, the novels picked up and developed on particular themes and plot threads. The entrance of Bajor into the Federation is the most obvious, a plot point set up in Emissary and never completely resolved in the show. However, one particular plot thread seems to have emerged from out of nowhere, stretching back to an aborted arc from the very season of the second generation of Star Trek television shows. The relaunch built heavily on Conspiracy.

ds9-thelivesofdax1

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Star Trek: The Next Generation – Shades of Grey (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Well. That’s over now. Star Trek: The Next Generation limps across the finish line of its second season with a compilation clip show designed to save money and keep the season’s episode count up. Shades of Grey is frequently cited as the worst episode not just of the second season of The Next Generation, but of the show as a whole. While it’s hard to entirely agree with this assessment – Shades of Grey is cynical and lazy, but it’s neither as sexist as Angel One or The Child nor as racist as Code of Honour or Up the Long Ladder – it is possible to see where that argument comes from.

Like the first season before it, there’s a sense that the second season of The Next Generation might have been better had it ended an episode earlier. Indeed, the second season could have ended with Q Who? and the only episode anybody would really miss would be The Emissary. Unfortunately, one imagines the syndication agreements and network policy made this impossible. While one suspects many of those involved would be happy if Shades of Grey simply faded from existence, it remains part of the show’s syndication package.

This is a little like what this episode feels like...

This is a little like what this episode feels like…

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Star Trek: The Next Generation – Peak Performance (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Peak Performance is a functional episode of Star Trek: The Next Generation. It doesn’t really stand out all that much, and it feels quite a bit average. Still, that’s not to dismiss Peak Performance. After all, this past season has seen The Next Generation advance considerably. During the first season, an episode like Home Soil or The Big Goodbye was a welcome relief. At this stage in the show, episodes like Peak Performance and Contagion are the average.

Of course, the third season would see the show’s quality improve even more dramatically, but we’re still just a little bit away from that. So we’re left with Peak Performance, a fairly standard piece of Star Trek that feels just a little bit too formulaic and a little bit too cliché. While it’s not among the strongest of the season, there are definitely worse sins.

Game on...

Game on…

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Star Trek: The Next Generation (DC Comics, 1989) #59-61 – Children of Chaos/Mother of Madness/Brothers in Darkness (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the first season of the Next Generation, specifically the episode The Battle.

Continuity is a funny thing. Star Trek: The Next Generation would develop its own internal continuity as it went along. The  episodes featuring the Klingons and the Romulans (and the Borg) all fit together in a somewhat logical and progressive pattern, even if the show lacked the clear story arc structure of Star Trek: Deep Space Nine. While the show did offer background information on the members of the Enterprise crew, it never felt particularly beholden to them.

Picard’s time commanding the Stargazer was one of the earliest parts of his history to be established, in the first season episode The Battle. Picard’s tenure on the ship is alluded to several times over the course of the series, and there’s a sense that it was a formative experience for the commander. While it’s never stated outright, it’s suggested that the death of Jack Crusher and the loss of the Stargazer may have turned him into the somewhat aloof and distant superior we met in Encounter at Farpoint.

The slingshot manoeuvre...

The slingshot manoeuvre…

And yet, despite that, The Next Generation never delves too deeply into Picard’s past. There’s the occasional reference to his time serving on the Stargazer, or a reminder of his complicated relationship with Wesley and Beverly Crusher, but The Next Generation is a television show that seems to move forwards. Even the events that happen to Picard in the context of the show – his abduction by the Borg in The Best of Both Worlds or his alternate life in The Inner Light – don’t seem to have affected Picard too much.

So it seems appropriate that this bit of future history should become fodder for the comic books and tie-in materials, delving mroe deeply into the history of The Next Generation than was possible (or even desired) on screen.

Stargazing...

Stargazing…

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Star Trek: The Next Generation – The Emissary (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Emissary is one of the stronger episodes from the tail end of Star Trek: The Next Generation‘s second season. An interesting meditation on heritage and race, as well as an insightful character piece for Worf, The Emissary is an interesting exploration of Worf’s relationship to his culture – and how his experience is far from universal. It’s the sort of story that The Next Generation should have been producing on a more consistent basis, but it’s better late than never.

Bonded by blood...

Bonded by blood…

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