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Non-Review Review: On the Rocks

On the Rocks is a disarmingly charming film.

Sofia Coppola’s latest is built around the relationship between Laura and her father Felix. Laura is happily married with two young girls, but has begun to suspect that her marriage is dysfunctional. There are small clues. Her husband Dean seems less interested in physical intimacy, and has been spending more time at the office with his co-worker Fiona. As her suspicions mount, Laura reaches out to her father Felix, who has spent his life as a debonair playboy with a somewhat cynical perspective of the masculine psyche.

Daddy daughter day.

On the Rocks is an earnest dramedy, following the dynamic between Laura and Felix as they launch an investigation into her husband’s potential affair. It’s elevated by two superb central performances, a clever script, and direction that allows its characters and its actors room to work. There’s a surprising amount of honest and introspection in On the Rocks, but also a surprising earnestness. On the Rocks is a surprisingly empathic film, never judging or condemning its characters as easily as it might.

The results are engaging and heartening. In some ways, particularly given the central dynamic of an older man played by Bill Murray and a younger woman managing her own life crisis, it’s hard not to see On the Rocks as a companion piece to Coppola’s breakout film Lost in Translation. However, there’s a lot more maturity and reflection at play here, a kindness and gentleness that feels earned through the two decades between then and now.

“Enjoying a nice Mar-team-ee.”

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