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Millennium – Nostalgia (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

Nostalgia is the last “serial killer of the week” story produced by Millennium.

Sure, there is a serial killer in Via Dolorosa and Goodbye to All That, but the last two episodes of Millennium are much more interested in the show’s mythology than in a nuts-and-bolts “Frank catches a serial killer” story. Appropriately enough, given its title, Nostalgia feels like a throwback to a simpler version of Millennium. In a way, it does more to capture the mood and feel of the first season of the show than anything like Matryoshka or Seven and One. It helps that Nostalgia is a great episode, judged by it own merits.

Frank sees all. All.

Frank sees all. All.

It makes sense that Nostalgia should come from Michael R. Perry. With his debut script for The Mikado in the second season, Perry had demonstrated quite a knack for traditional Millennium storytelling. The Mikado was arguably something of a throwback itself, the most old-school “serial killer of the week” story in the show’s delightfully off-kilter second season. If the show wanted to do one last “serial killer of the week” story, there was no writer better suited to crafting it than Michael R. Perry.

In a way, Nostalgia feels like belated vindication for the “back to basics” aesthetic running through the third season – proof that perhaps it might be possible for the show to recapture some of the stronger aspects of the first season even this late in the game. Nostalgia is a much better version of the stories that Closure and Through a Glass Darkly had tried to resurrect earlier in the year. It might be enough to entirely redeem the season’s stubborn fixation on a past fading into history, but it does demonstrate that there were interesting stories to be told using that technique.

Parks and recreation...

Parks and recreation…

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