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Non-Review Review: The Invisible Man (1933)

We’ll begin with a reign of terror. A few murders here and there. Murders of great men, murders of little men, just to show we make no distinction. We might even wreck a train or two. Just these fingers around a signalman’s throat, that’s all.

The Invisible Man is a classic, sandwiched between James Whale’s celebrated monster movies – Frankenstein and Bride of Frankenstein. The movie was renowned at the time for its special effects, which still hold up remarkably well on the snazzy new blu ray issued by Universal Pictures. However, the film itself is still fantastic on its own terms, featuring a great leading performance from Claude Rains, a witty script and some fantastic direction from Whale. I think it’s also quite wonderfully telling that The Invisible Man manages to feature the story of simultaneously the most human and the most inhuman of these Universal Monster Movies.

The freak who came in from the cold…

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Non-Review Review: Room 237

Room 237 is an ode to cinema. Not just Stanley Kubrick’s The Shining, mind you, despite the fact that fact that Kubrick’s horror film is the focus of the film’s talking heads (or disembodied voices) discussion. No, Room 237 is a celebratory tribute to every discussion and dissection of popular film, no matter how plausible or implausible, no matter whether conducted in print, on-line or in the pub with friends. Director Rodney Ascher’s documentary is as interested in the personal lives of its subjects – where they came from, with regards to the film – as it is with their views on the film itself.

In case you can’t tell, I was very taken with it.

Cut it there, Jack!

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Non-Review Review: Stitches

Stitches is an interesting little Irish film. Featuring an interesting set up to parody the conventions of the supernatural slasher film, the movie finds itself falling prey to them just a little bit too often. Irish writer and director Conor McMahon creates a credible gory teenage bloodbath, but doesn’t really find a narrative hook to engage the audience. Never entirely sure how ironic it is trying to be, Stitches is a solid effort, albeit one far from greatness.

Not clowning around…

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Non-Review Review: The Mummy (1932)

The Mummy is often unfairly dismissed as an inferior attempt to emulate the success of Dracula. It’s from the same writer, John L. Balderston, and the credits are even set to the same music – the powerful Swan Lake theme that opened that other iconic horror. I’d argue that the influence of Frankenstein can also be keenly felt on the picture, and not just in its leading actor. However, I think The Mummy is often unfairly overlooked when examining the Universal Monster Movies, playing more like a creepy existential romantic epic than a conventional creature feature horror film.

He needs his beauty sleep…

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Non-Review Review: The Sapphires

The Sapphires is the perfect feel-good movie to take us into Oscar season. The “goldilocks” of feel-good cinema, the movie balances its tone well. It’s never too heavy, but it’s never too light. Dealing with the eponymous Aboriginal girl band and their career in Vietnam during the conflict, it’s often both witty and touching at the same time. This quality is best encapsulated by Chris O’Dowd, playing the group’s slightly dodgy Irish manager, Dave Lovelace. A barely-functioning alcoholic tasked with keeping the tensions in the group under control, O’Dowd manages to make Lovelace simultaneously hilarious and somewhat tragic – a character we truly like, even if we also pity him. It’s a fantastic performance in a very solid film.

Good morning, Vietnam!

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Non-Review Review: Beasts of the Southern Wild

Benh Zeitlin’s Beasts of the Southern Wild is a fascinating film, and I’m not quite sure I’ve figured it out yet. It looks stunning, especially considering the relatively tiny budget, and it features two stunning lead performances from newcomers Quvenzhané Wallis and Dwight Henry. However, there’s a sense that movie lacks substance, that Zeitlin’s ethereal coming of age fantasy lacks a firm grounding necessary to convince us to embark with the young Hushpuppy on her coming of age adventure.

Lighting up the screen…

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Non-Review Review: Never Say Never Again

Never Say Never Again has quite a lot weighing against it. Most obviously, there’s the fact that we already say this story at the height of the film franchise’s popularity, but there’s also a whole host of other issues that arise due to the attempts to distinguish this iteration of the character and story from the EON productions. There are times when the film can’t seem to decide if it is or isn’t Thunderball, just as there are times when it can’t decide if it wants to acknowledge the “other” Bond films, or ignore them completely. Despite that, there’s some good stuff on display here. The film famously opened against Octopussy, losing the box office battle. While neither is “vintage” Bond, I think that Never Say Never Again is the stronger of the two films. At least it serves as a better swan song for Sean Connery than Diamonds Are Forever.

The Bond who came in from the cold…

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Non-Review Review: Nick of Time

Nick of Time is an underrated nineties high-concept thriller that really runs on the charm of its cast and the skill of director John Badham.In a way, Badham seems stuck in a race against time that is just as tense as anything facing his protagonist. Badham has to make it from the start of the film to the final fadeout before the audience stops to think too much about the somewhat convoluted plot taking place. Nick of Time features perhaps the most ridiculously convoluted assassination attempt ever, but it’s generally so much fun that it’s easy not to get tangled in some of the logic problems.

They weren’t trained for this…

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Non-Review Review: Batman Beyond – Return of the Joker

The Joker holds a special place among Batman’s iconic selection of villains. Appearing as early as Batman #1 all those years ago, the clown prince of crime has managed to hold on to his position as the prime Batman bad guy for pretty much all of Batman’s publication history. It was the Joker who put Barbara Gordon in a wheelchair in The Killing Joke, and it was the Joker who killed Jason Todd in A Death in the Family. As such, it’s no real surprise that the character should eventually make his way to the futuristic setting of Batman Beyond, to give Bruce one last challenge.

Guess who’s back…

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Non-Review Review: Taken 2

Taken 2 doesn’t pack quite the wallop of its predecessor. The original was a fairly standard action movie, elevated by a relatively lean and focused story, driven by a surprisingly effective Liam Neeson. Neeson is back for Taken 2, and he remains the best thing about the sequel. However, the film lacks the focused intensity of its predecessor. Much like its protagonist, the first film was almost single-minded in pursuit of its goal. This time around, there’s a lot more grizzle on the bone. Most of that comes from the decision to expand the world around Bryan Mills. While the movie works efficiently when Mills is driving the plot, it suffers from its decision to saddle him with more of his family this time around, with both the movie and the character almost weighed down.

Okay, which bright spark thought this was a good idea?

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