• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: First Reformed

This film was seen as part of the Audi Dublin International Film Festival 2018.

First Reformed is an unholy mess.

On paper, First Reformed has some very interesting ideas. It is a film grappling very consciously with weighty themes and heavy subject matter. It is about the challenge of finding faith in a modern and cynical world, and about reconciling the mundane maintenance of spiritual belief with the euphorically elevation of pure devotion. This is a broad theme that resonates in a world that feels increasingly disconnected and diffused, in a time when people feel increasingly distant from purpose or meaning.

Indeed, the core premise invites comparisons to Taxi Driver, which remains the defining work in Schrader’s filmography. Schrader has been working as a writer for almost forty-five years, and as a director for forty years, but his body of work is still discussed in terms of the second script that he wrote. Although most audiences associate Taxi Driver with the creative partnership of Scorsese and DeNiro, it was a work that was very important to Schrader, articulating themes and ideas to which he would return time and time again.

First Reformed brings Schrader back to that, with Reverend Ernst Toller feeling very much like a spiritual sibling to Travis Bickle, a man who struggles to make sense and to find meaning in a chaotic world and who decides to impose his own order upon the universe. Schrader is very much playing with his own history and iconography here, playing out a familiar story in a new setting with a slightly different emphasis. As with a lot of artists revisiting their earlier and defining, the results are frustrating. First Reformed bends and contorts in the shadow of its predecessor, never coming into its own.

Continue reading