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Tony Bedard’s Run on Green Lantern Corps – Revolt of the Alpha Lanterns & The Weaponer (Review)

As with Green Lantern and Emerald Warriors before it, Tony Bedard’s run on Green Lantern Corps feels like it’s trapped between two larger events, flowing out of Blackest Night and into War of the Green Lanterns. I think Bedard suffers a lot more than Geoff Johns and Peter Tomasi from this, merely because he’s new to the franchise – he did great work on R.E.B.E.L.S., but this is first time working with the cast of characters from Green Lantern. So, while Johns and Tomasi fall comfortably into their familiar routines, Bedard seems to struggle to find his feet, while telling his own story and managing the obligatory set-up for the next large-scale event.

That's the last time Sinestro calls Kyle a second-stringer...

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Brightest Day (Hardcover Vol. 1-3) (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” This one’s not so much an “event” as a bi-weekly miniseries, but let’s count it anyway…

Balancing the internal storylines is a tough task for any anthology, especially one running over the course of an entire year. In this respect, 52 feels like the exception rather than the rule. It’s a fairly fundamental problem with Brightest Day that not all of the plotlines are interesting (and certainly not all of the time). It’s a rather strange phenomenon: the early issues try to balance the characters somewhat evenly across the issues, and feels somewhat awkward in trying to devote an equal amount of space to stories that aren’t equally compelling; on the other hand, the second and final thirds seems more comfortable devoting large stretches of single issues to certain characters (and to have other members of the ensemble go unheard from for issues at a time), which has the bizarre effect of meaning that a cliffhanger or two isn’t picked up for two or three chapters. It’s a tough balance to get right, and I’m sad to say that Brightest Day doesn’t acquit itself particularly admirably. It’s a shame, because there are some interesting ideas here.

Everything burns...

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Non-Review Review: Green Lantern – Emerald Knights

In many ways, Green Lantern: Emerald Knights can be seen as a counterpart to the earlier Batman: Gotham Knight. Beyond the fact that both contain “knight” in the title, both animated films were released as promotional tie-ins to major motion pictures featuring the characters in question, and both are structured as vignettes rather than one continuous storyline. Don’t let that fool you. Unlike the incredibly uneven Gotham Knight, Emerald Knights is actually quite a worthy little movie.

Good to the Corps...

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Geoff Johns’ Run on Green Lantern – Secret Origin, The Rage of the Red Lanterns, Agent Orange & Emerald Eclipse

It’s no secret that I’ve been greatly enjoying Geoff Johns’ run on the Green Lantern title (along with seemingly everybody else). After successfully resurrecting a fallen hero, reestablishing the various traits of the Green Lantern mythos and giving us a blockbuster summer event, Johns proceeds to make the final moves on the chessboard towards what is likely to be the climax of his saga. But whereas his initial set-up might have suffered slightly from the fact that it was mainly a case of getting a disruly house in order, here Johns has enough elements flowing from his previous collections to make these chapters in the story seem interesting in their own right.

It's like a rainbow of interstellar warriors...

It's like a rainbow of interstellar warriors...

Note: I am aware that Emerald Eclipse is the work of Peter Tomasi – who also worked on some of the alternating chapters of Sinestro Corps War. I would review his work on Green Lantern Corps separately, but it seems that this is the first collection of his work put out in hardcover (for shame). So I’ve bundled my thoughts on Emerald Eclipse in here. Going forward, if DC put out Green Lantern Corps in hardcover trades, I should be able to look at them separately.

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