This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.
Leonard Betts is a big one. In fact, it may just be the biggest one.
Leonard Betts attracted the largest audience in the history of The X-Files, with almost thirty million people tuning in to watch the episode. This audience was largely carried over from Superbowl XXXI, but it arrived at a fortuitous moment for the series. The X-Files was exploding into the mainstream. Chris Carter and Frank Spotnitz had spent Christmas 1996 in Hawaii plotting The X-Files: Fight the Future, a blockbuster movie based on the series. The week before, Mulder and Scully had paid a visit to Springfield in The Springfield Files.
The show’s moment had arrived. Leonard Betts makes for quite the moment. It might not be the best episode in the history of the show; it might not even be the best episode of the season. However, it ranks with Pusher as one of the great archetypal episodes of The X-Files. The show captures so much of what makes The X-Files great, almost perfectly distilling the appeal of the show into a tight forty-odd minute package. It is a beautifully-crafted piece of television that checks all of the right boxes. This is a pretty fantastic introduction to the show and its world.
Leonard Betts is an episode that has been put together with incredible skill, one that demonstrates why The X-Files had such an impact on the popular consciousness.
Filed under: The X-Files | Tagged: cancer, cancer arc, frank spotnitz, john shiban, kim manners, leonard betts, memento mori, motherhood, never again, Paul McCrane, scully, the x-files, vince gilligan, x-files | Leave a comment »