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Non-Review Review: Passengers

Passengers is a super creepy tale of male entitlement.

The movie has an intriguing science-fiction premise. On a sleeper ship intended to ferry passengers to the colony world of Homestead II, a freak accident awakens James Preston. The only problem is that Preston awoke far too early. Preston awoke approximately thirty years into a one-hundred-and-twenty-year voyage. The engineer is now destined to spend the rest of his life as the only waking inhabitant of a gigantic city ship, living and dying completely alone. It is a horrifying thought.

"We need a little space."

“We need a little space.”

There are suggestions of a powerful science-fiction epic to be found in the film. Jim finds his every physical need has been anticipated. He can live a life of material luxury. He will never want for food or space or activity. He effectively has a gigantic space craft all to himself. And therein lies the rub. Feeling almost like a sadistic episode of The Twilight Zone, Jim grapples with the question of what he will or will not do in order to end his loneliness. In his desperation, Jim makes a horrifying (if entirely understandable) decision.

The biggest problem with Passengers is that it strains too hard to make that decision palatable instead of terrifying. It is a super creepy tale of male entitlement that brushes aside any of this issues in favour of a much more conventional action romance.

Peace in a pod.

Peace in a pod.

Note: Very minor spoilers for Passengers follow. If you know the cast list, you can probably deduce where the movie is going from the opening ten minutes.

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