• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: Never Say Never Again

Never Say Never Again has quite a lot weighing against it. Most obviously, there’s the fact that we already say this story at the height of the film franchise’s popularity, but there’s also a whole host of other issues that arise due to the attempts to distinguish this iteration of the character and story from the EON productions. There are times when the film can’t seem to decide if it is or isn’t Thunderball, just as there are times when it can’t decide if it wants to acknowledge the “other” Bond films, or ignore them completely. Despite that, there’s some good stuff on display here. The film famously opened against Octopussy, losing the box office battle. While neither is “vintage” Bond, I think that Never Say Never Again is the stronger of the two films. At least it serves as a better swan song for Sean Connery than Diamonds Are Forever.

The Bond who came in from the cold…

Continue reading

Non-Review Review: Nick of Time

Nick of Time is an underrated nineties high-concept thriller that really runs on the charm of its cast and the skill of director John Badham.In a way, Badham seems stuck in a race against time that is just as tense as anything facing his protagonist. Badham has to make it from the start of the film to the final fadeout before the audience stops to think too much about the somewhat convoluted plot taking place. Nick of Time features perhaps the most ridiculously convoluted assassination attempt ever, but it’s generally so much fun that it’s easy not to get tangled in some of the logic problems.

They weren’t trained for this…

Continue reading

Non-Review Review: Batman Beyond – Return of the Joker

The Joker holds a special place among Batman’s iconic selection of villains. Appearing as early as Batman #1 all those years ago, the clown prince of crime has managed to hold on to his position as the prime Batman bad guy for pretty much all of Batman’s publication history. It was the Joker who put Barbara Gordon in a wheelchair in The Killing Joke, and it was the Joker who killed Jason Todd in A Death in the Family. As such, it’s no real surprise that the character should eventually make his way to the futuristic setting of Batman Beyond, to give Bruce one last challenge.

Guess who’s back…

Continue reading

Non-Review Review: What Richard Did

The latest film from Lenny Abrahamson is a solid slow boil moral and psychological drama. It treads well-worn ground, exploring the relationship between guilt and entitlement, but does so in a relatively charming way, navigated by Abrahamson’s solid direction and a great central performance from Jack Reynor. However, it’s hard not see this as a variation on a familiar story, one we’ve seen rendered in an American and a British context quite often. Malcolm Campbell’s overly melodramatic script never quite manages to ground to film in a particularly Irish setting, despite the posh Blackrock background and the occasionally recognisable landmark. Even the title change, eschewing the novel’s Bad Day in Blackrock for a more generic What Richard Did seems to try to broaden the scope of the film, losing a lot of the more potentially fascinating avenues that could be explored.

More than his ego is bruised…

Continue reading

Non-Review Review: Taken 2

Taken 2 doesn’t pack quite the wallop of its predecessor. The original was a fairly standard action movie, elevated by a relatively lean and focused story, driven by a surprisingly effective Liam Neeson. Neeson is back for Taken 2, and he remains the best thing about the sequel. However, the film lacks the focused intensity of its predecessor. Much like its protagonist, the first film was almost single-minded in pursuit of its goal. This time around, there’s a lot more grizzle on the bone. Most of that comes from the decision to expand the world around Bryan Mills. While the movie works efficiently when Mills is driving the plot, it suffers from its decision to saddle him with more of his family this time around, with both the movie and the character almost weighed down.

Okay, which bright spark thought this was a good idea?

Continue reading

Non-Review Review: Sinister

Sinister is a few great ideas, wrapped in a hokey plot and executed in a reasonably efficient manner. To be fair, this latest movie from “the producers of Paranormal Activity and Insidious works best when it adopts a minimalist approach, with director Scott Derrickson and composer Christopher Young providing a suitably overbearing and overwhelming atmosphere. However, the movie runs into problems when it’s forced to play its hand, and when it feels the need to “follow through” on its scares with something more substantial. At that point, the movie becomes a bit clunky, which seems quite a shame – as Derrickson otherwise minimalist approach creates an unsettling canvas to set the story against.

Reel life…

Continue reading

Non-Review Review: Killing Them Softly

There’s been a lot of talk about how Killing Them Softly is a critique of the Obama administration. It’s easy to see why. Obama might as well receive an “and” credit, given how frequently he appears and how deeply his influence seems to seep into the film. He’s there at the beginning, between moments of static, and he’s there at the end, interrupting exchanges between two primary characters. The film is set during the President’s first campaign, and released just in time for his second. Still, Andrew Dominik’s adaptation of Cogan’s Trade feels like a more rounded criticism of the American political system, with Obama serving as a focal point if only because the promise he offers, one of change.

At one point during the film, our leading hit man confronts one of the people on his list. “Not many people get what you have,” he assures the nervous and sweaty young man who seems way over his head. “You have a choice.” Of course, it’s not really a choice – everybody knows that. The young guy knows it, the assassin knows it, and we know. Sure, he can pick between two alternatives, but there are no happy endings here. Dominik’s Killing Them Softly feels like an older, harsher, more bitter Tarantino film, one jaded and numbed by the promise of a false choice. Cynically, it seems to suggest that elections – now and then – are like that offer made in a dive bar.

Sure, there’s technically a choice. But there’s not an opportunity to substantially improve anybody’s position.

Cogan’s run…

Continue reading

Non-Review Review: Savages

I am torn. Savages feels as if Oliver Stone somehow found a way to stream his thoughts on celluloid for the world to devour at their leisure. It’s bright, vibrant, random, illogical, contrary, obtuse, surreal and visceral – often all at the same time. It’s far too uneven to earn an unqualified recommendation, as it’s a disorienting mess of a film at the best of times. However, it’s also consistently interesting, a strangely compelling. Savagesmight be too all over the map to ever be consistently great (or even good), but it is never boring.

That’s a savage mask!

Continue reading

Non-Review Review: The Manchurian Candidate (1962)

The Manchurian Candidate is a rather wonderful piece of Cold War paranoia, with a handy bit of social commentary and a rather surrealist perspective thrown in on top. John Frankenheimer’s vision remains unnerving because of its occasionally absurd and strange imagery and subtext, much of which remains unsettling long after the end of the Cold War. While The Manchurian Candidate remains a fascinating story, and one which has seeped into pop cultural consciousness, It’s Frankenheimer’s direction that elevates the film, managing to convince the audience that there is some meaning and purpose to all the bizarre imagery and interactions.

Play your cards right…

Continue reading

Non-Review Review: Untouchable (Intouchables)

Untouchable is that rare gem. It’s a sweet, life-affirming story that never overplays its hand. It never devolves into cheap melodrama, as stories like this tend to. The story of two people from two very different walks of life coming together and learning from one another is a well-travelled plot-device, but there’s a strong heart at the centre of Olivier Nakache & Eric Toledano’s comedy drama. It has soul, it has rhythm, and it refuses to wallow in tragedy or angst as it follows the unlikely relationship between a wealthy paraplegic and a street-smart welfare recipient.

Joy ride!

Continue reading