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Star Trek: Deep Space Nine – Invasive Procedures (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

Invasive Procedures is an interesting episode. It has a great high concept, some nice character beats, and offers an inside glimpse at an astonishingly interesting alien culture. Verad is a compelling guest character and Sisko gets to be pretty badass, continuing the presentation of the character as some weird composite of James T. Kirk and Jean-Luc Picard.

There are however, a number of very sizeable flaws. The most obvious being that – despite this is nominally a “Dax” story – Dax winds up feeling more like a plot point than a character in her own right.

Slugging it out...

Slugging it out…

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Star Trek: Deep Space Nine – Season 1 (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Well, that was actually pretty satisfying. Star Trek: Deep Space Nine has probably the most satisfying debut season of any of the Star Trek spin-offs. While the show’s first year can’t quite measure up to the very first season of Star Trek ever produced, it can hold its head high among the spin-offs. Although I will concede that the bar isn’t exactly high when it comes to measuring the first year of the tie-in television shows.

When I began a recent re-watch of Star Trek: The Next Generation, I was glad to finish the show’s rocky first season. It was a slog, like the work one has to put in before delving into “the good stuff.” I recently picked up the blu ray of the first season of Star Trek: Enterprise. While there are a couple of nice episodes, there are quite  a few I’d forgotten entirely because they were so bland. There are more I would like to forget. Star Trek: Voyager‘s first season is the single largest missed opportunity in the history of the franchise.

So Deep Space Nine‘s first year doesn’t have to do that much beyond “not sucking” in order to earn the coveted title of “best pilot season of a Star Trek spin-off.” However, as I watched the season, I was continually impressed with the quality of work done. There are a few duds (and a few classics), but the first year demonstrates remarkable insight into what is unique about the show’s premise. It doesn’t always have the courage to follow through on that promise, but it at least acknowledges it.

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Star Trek: Deep Space Nine – The Passenger (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And here we hit what amounts to the rock bottom of Star Trek: Deep Space Nine‘s first season. The Passenger and Move Along Home exist as the two weakest stories in this first season, and the point from which Deep Space Nine begins to map a path towards recovery, climaxing in the best final two episodes of any first season in the history of Star Trek. We’re a long way from that, and we seem furthest from it here.

While Move Along Home is a legitimately bad episode, one with flaws that probably should have been spotted in any of the episode’s troubled development history, The Passenger suffers because it is the most bland and generic of the first season Deep Space Nine episodes. It accomplishes nothing, but it feels worse because its ambitions were so low. It’s the kind of story that could easily have been told on any Star Trek show, or any science-fiction series, but with no sense of local colour to give it distinctive flavour.

The Passenger is just as bland as the title makes it sound.

The not-so-good Doctor...

The not-so-good Doctor…

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Star Trek: Deep Space Nine – Q-Less (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And the first season of Deep Space Nine continues its trend towards mediocrity. I feel I should qualify that. The first season of Deep Space Nine is never truly terrible. Even the (very) dodgy Move Along Home is superior to any number of episodes from the first season of Star Trek: The Next Generation, like Code of Honour or Angel One. The first season of Deep Space Nine just winds up feeling like it’s treading water, as if it is trying too hard to emulate The Next Generation, instead of exploring the unique storytelling opportunities offered by the show’s setting.

Q-Less is arguably the most obvious example of these attempts at imitation. While episodes like Babel and The Passenger could have been reworked as episodes of The Next Generation with a minimum of fuss, Q-Less rather cynically takes two recurring guest stars from The Next Generation and allows them to steal focus from an ensemble that is still finding its feet. It feels not only a little ill-judged, but also a bit rude.

Guess Q...

Guess Q…

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Star Trek: Deep Space Nine – Babel (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

With Babel, we hit the most significant flaw in the first season of Star Trek: Deep Space Nine. Put frankly, Babel is the first story that could easily have worked as an episode of the original Star Trek or of Star Trek: The Next Generation. Indeed, Michael Piller concedes in Captains’ Logs Supplemental – The Unauthorized Guide to the New Trek Voyages that Babel had a history longer than that of Deep Space Nine itself:

We had this premise for over five years at Next Generation. It was written by the same person who wrote “Hollow Pursuits” for us, and we had always been attracted to the idea that you could suddenly lose the ability to use language and communicate, and how people are able to communicate with each other.

This isn’t necessarily a bad thing, but it’s worth noting that the first season of Deep Space Nine was airing concurrently with the sixth season of The Next Generation. If people wanted to see stories that could work on The Next Generation, it made more sense to see them executed on that show by a production team with experience in these sorts of plots.

While Babel isn’t a bad episode by any means, there’s a sense that it has been cobbled together from leftovers at another table, and the result isn’t nearly as satisfying as it should be.

Chief concerns...

Chief concerns…

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Star Trek: Deep Space Nine – Past Prologue (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Past Prologue is a pretty decent second episode of Star Trek: Deep Space Nine. It does what it needs to do, serving primarily to build the world of Deep Space Nine just a little bit. After all, a story like this was inevitable with a character like Kira in the main cast, so it’s probably for the best that the show deals with it so early. It’s not a classic episode by any means, feeling as if the show was obligated to tell this particular story. Then again, I suppose that’s what the first season of any television show is for. Set up and development.

Past Prologue continues to hint at the strengths of Deep Space Nine, investing considerable effort in crafting a tangible setting for the series. However, there’s also a hint of the weaknesses of the first season to be found here. Like just about any of the Star Trek spin-offs, Deep Space Nine is going to spend its first year searching for its identity. While Past Prologue indicates the series is looking the right direction, it hasn’t quite found its footing.

Los cannon...

Los cannon…

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Star Trek: Deep Space Nine – Emissary (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Star Trek: Deep Space Nine is a phenomenal piece of television. It’s often a bit overlooked because of its unique setting. After all, the words Star Trek evoke space ships and new worlds – “new life forms and new civilisations.” As such, a Star Trek series about a space station feels counter-intuitive. “To boldly sit” is the hardly the most dynamic premise. And yet, despite that, there’s a very serious argument to be made that Deep Space Nine is the crowning accomplishment of television Star Trek. It’s certainly the last great attempt to boldly push the franchise forward, with Star Trek: Voyager and Star Trek: Enterprise feeling just a tad regressive and conservative in comparison.

Indeed, Deep Space Nine represents a massive narrative leap forward from the success of Star Trek: The Next Generation, which remains one of the greatest science-fiction shows ever produced. For better or worse, Emissary makes it quite clear that Deep Space Nine is not an attempt to copy its direct predecessor, even if some of the other episodes in the first season might back-pedal a bit. In fact, it’s surprising just how well the pilot for this strangest of Star Trek shows holds up, suggesting a firmer grasp of its own identity than a few of the subsequent episodes could claim.

A Commanding presence...

A Commanding presence…

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Star Trek – Season 1 (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

That came together rather well, didn’t it? With the current success of Star Trek as a blockbuster movie franchise, it’s fun to speculate about the show possibly returning to television. Being honest, I would be nervous about that. In this cut-throat age where ratings need to solidify (or start rising) almost immediately, I wouldn’t trust the first season of a Star Trek spin-off to rope in viewers quick enough. None of the Star Trek spin-offs, from The Next Generation through to Enterprise, had what could be considered “strong” first years. Occasionally there were a few classic episodes buried in there, as with Deep Space Nine, but it always seems to take a Star Trek show some time to find its “space legs”, so to speak. Time that I am not sure it would be afforded in the current market place.

Which makes it all the more spectacular that Star Trek itself started out so phenomenally. The first year of the show (and the franchise) is not only the best first season of any Star Trek show ever, it’s also in the running for the best of the thirty seasons of television that the franchise has produced. Not bad at all, considering that it seems like nobody had any idea what exactly they were doing when they started out.

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Star Trek 103: The Best of Deep Space Nine

To celebrate the release of Star Trek: Into Darkness, we’re holding a month full of Star Trek related fun. We’re reviewing every episode of the show’s first season, from The Cage through to Operation — Annihilate!, one-per-day for all of May. We’re also looking at some of the various spin-offs, tie-ins and pop culture intersections, so there’s always something going on to do with Star Trek. Anyway, with the release of the new film, we thought it might be interesting to make some recommendations for fans of the new films who wanted to “dip their toes in the water” so to speak. Today, we’re making recommendations from the second of the 24th century spin-offs, and the first to broadcast concurrently with another Star Trek project, Star Trek: Deep Space Nine.

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Star Trek – The Naked Time (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

Star Trek is, by its nature, an inherently optimistic television show. I seem to keep mentioning that in these reviews, as the first season of the show subverts and plays with the notion of an idealised future. However, despite the suggestion that evil is necessary in The Enemy Within or the death of the last of a species in The Man Trap or the suggestion that man’s next evolutionary phase would be truly horrifying in Where No Man Has Gone Before, Star Trek is still a hopeful vision of a possible future. It’s a story about a world where mankind hasn’t wiped each other out and where we can go (relatively) peacefully among the stars. It’s a world without racism or classism. There is sexism in Star Trek, but I’ll give the producers the benefit of the doubt and assume it’s not intentional.

So The Naked Time feels a little weird, being – as it is – a story about the collapse of civilisation at the end of a world. Not our world, mind you, but there’s a very clear sense of social collapse mirrored in the literal collapse of planet Psi-2000.

How logical...

How logical…

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