morals | the m0vie blog

Doctor Who: Kill the Moon (Review)

Posted on October 4, 2014 by Darren

I don’t like people being sick in my TARDIS. No being sick. And no hanky-panky.

If The Caretaker began the transition into the second half of the season, Kill the Moon completes it. The Twelfth Doctor is established. Peter Capaldi has found his footing. The audience has a clear grasp of what distinguishes his take on the character from the iterations played by David Tennant or Matt Smith. The orderly transition of lead actors is complete; the show can no go about its business. Along with The Caretaker, Kill the Moon marks the point at which the season starts building clearly and concretely towards Death in Heaven.

This is the point at which the show feels free to get a little experimental. With the exception of Listen, the first six stories of the season were all relatively conservative. Deep Breath returned to the Paternoster Gang in order to ease the transition to the new lead. Into the Dalek was the obligatory “Dalek episode.” Although it featured a fictional celebrity, Robot of Sherwood was a throwback to the old school celebrity historical. Time Heist was a light run-around. The Caretaker was the “dump the Doctor into the real world” story.

“Yes, I’m wearing my One Direction shirt. Wanna make something of it?”

In contrast, the second-half of the season is more bold and experimental. Steven Moffat is not credited as a co-writer, suggesting that the training wheels are coming off. While the first six episodes were all written by established Doctor Who writers, the four episodes between The Caretaker and Dark Water are all credited to newbies. More than that, there is a spirit of experimentation. Kill the Moon and In the Forest of the Night are perhaps two of the most divisive and controversial episodes of the show since it returned in 2005. Only Love and Monsters comes close.

Kill the Moon is bold, provocative, insane and more than a little twisted.

David Tennant has the same tumblr photo…

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Filed under: Television | Tagged: children of earth, doctor who, dvies, ethics, moon, morals, peter capladi, steven moffat, the beast below, torchwood | 10 Comments »

Why Are We Afraid to Scare Children?

Posted on March 16, 2010 by Darren

I watched the Platinum Anniversary Edition of Pinocchio over the weekend. aside from the revelation of how ridiculously Disney manipulate the market to keep their movies out of constant circulation and creating false scarcity, what really struck me about the movie was how ridiculously (and gloriously) dark it was. As a 23-year-old adult, I felt more than a little uncomfortable watching the movie, so I can only imagine how it would have terrified me as a kid. Turning kids into donkeys and selling them to the circus! Threatening to chop up the lead character for firewood (and showing a similar puppet with an axe in his back)! The lead character lying limp, face-down in a puddle! It occurred to me that you’d never get a film like that made for kids these days. Why are we afraid to scare children?

He's a jackass! Geddit? Seriously, this gave me nightmares.

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Filed under: Movies | Tagged: animation, bambi, children, children's films, disney, fairy tales, family movies, happily ever after, morals, Movies, pinochio, stories | 17 Comments »

Space Racism = Bad (District 9)

Posted on July 15, 2009 by Darren

I finally got around to checking out the District 9 trailers that everyone’s been talking about. The movie’s attracted a lot of cult attention – mainly because Peter ‘Lord of the Rings’ Jackson has plastered his name all over the trailers – but I haven’t seen any sort of advanced publicity in Ireland, despite a fairly deftly-managed viral campaign in the United States. In fairness, we aren’t getting it until two weeks later than the Americans, but it would be nice to see some of these advertisements reaching us – just pretend we’re a semi-important market. For the uninitiated, it’s a movie about illegal aliens settling in South Africa and becoming second class citizens. The catch? They’re from outer space. In fairness, this year looks to be an epic year for science-fiction – Watchmen is already out, Moon is currently on release, Avatar is due out in the next few months and there seems to be legitimate buzz around The Road as an Oscar contender. Still, District 9 looks like it might just be a bit preachy for my tastes, but isn’t most science fiction?