Michael Piller | the m0vie blog

Star Trek: Deep Space Nine – The Storyteller (Review)

Posted on September 13, 2013 by Darren

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

The Storyteller should not work half as well as it does. While some episodes this season (notably The Passenger and Battle Lines) feel like they were simply lifted directly from the “reject” pile within the writers’ room on Star Trek: The Next Generation, The Storyteller is actually a rejected pitch from that show’s first season. Written by Kurt Michael Bensmiller, the writer responsible for Time Squared, one of the stronger installments of the show’s first two years, it was also written late in 1992, about a month before Star Trek: Deep Space Nine would actually air.

And yet, despite that, The Storyteller really feels like a show that wouldn’t work on any of the other Star Trek spin-offs. A lot of that seems to be down to the work by Ira Steven Behr to polish up Bensmillers’ draft and to add a lot of character work and development to what is a decidedly high concept. As producer Michael Piller confessed in Captains’ Logs Supplemental – The Unauthorized Guide to the New Trek Voyages, “Ira did a lot of work on that script.”

O’Brien’s mind is a bit clouded right now…

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Filed under: Deep Space Nine | Tagged: Bajoran, Colm, deep space nine, england, Gina Philips, Ira Steven Behr, Julian Bashir, Michael Okuda, Michael Piller, Miles O'Brien (Star Trek), O'BRIEN, Rick Berman, star trek, Star Trek Next Generation, star trek: deep space nine, star trek: the next generation, star trek: the original series, StarTrek, Storyteller, vulcan, Worf | 4 Comments »

Star Trek: Deep Space Nine – Vortex (Review)

Posted on September 11, 2013 by Darren

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Something very interesting happens in the second half of Star Trek: Deep Space Nine‘s first season. It seems like the writers and producers are making a conscious effort to develop the show’s characters, themes and the world that these inhabit. Plot threads are hinted at, only to be left dangling. Ideas are broached, and tucked away for another day. Given that Star Trek: The Next Generation waited until the third season to broach serialisation in Sins of the Father, the approach taken here is quite striking.

These three episodes are more notable for what they set up rather than what they actually accomplish on their own terms. These adventures lay groundwork, or at least hint at laying groundwork, that will pay off throughout the show’s extended seven-year run. Okay, not exactly. There are some redundant elements here that never actually pay off, but Vortex, Battle Lines and The Storyteller all play into the show’s bigger story arc, even if it seems the writers aren’t entirely sure what those story arcs are.

It’s murky out there…

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Filed under: Deep Space Nine | Tagged: Benjamin Sisko, deep space nine, Dominion, Federation, Ferengi, games, Ira Steven Behr, Michael Piller, Odo, Quark, ronald d. moore, Sisko, Star Trek Next Generation, Star Trek Original Series, star trek: deep space nine, star trek: enterprise, star trek: the next generation, Starfleet, StarTrek, Vortex | Leave a comment »

Star Trek: Deep Space Nine – The Nagus (Review)

Posted on September 10, 2013 by Darren

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

The Nagus starts what turns out to be an annual tradition for Star Trek: Deep Space Nine. It introduces the concept of a “Ferengi” episode, where once (or twice) a year, the show would take time out from other on-going concerns to focus on the state of affairs in the Ferengi Alliance. In a way, it’s quite like what Star Trek: The Next Generation did for the Klingons, taking an episode every once in a while to delve into the alien culture and offer a bit of exploration of a species originally created as a two-dimensional cardboard stand-in for a philosophy the franchise found unappealing.

Starting with Heart of Glory, The Next Generation developed Klingons from “those bad guys with the ridges” into a fully functioning and multi-faceted culture, largely driven by writer Ronald D. Moore from the third season. Deep Space Nine did largely the same thing with the Ferengi, largely spearheaded by producer Ira Steven Behr. Although, given the fact that the episodes concerned amoral capitalists instead of imposing warriors, Deep Space Nine opted for comedy as the genre of choice when developing the Ferengi.

He’s got the lobes for business…

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Filed under: Deep Space Nine | Tagged: Armin Shimerman, deep space nine, Ferengi, Galactic quadrant (Star Trek), games, godfather, Ira Steven Behr, Last Outpost, Michael Piller, Nagus, Quark, Rules of Acquisition, star trek, Star Trek Next Generation, star trek: deep space nine, star trek: the next generation, StarTrek, Wil Wheaton | 2 Comments »

Star Trek – Music of the Spheres by Margaret Wander Bonanno (Review)

Posted on August 16, 2013 by Darren

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

Music of the Spheres is something of a legend in Star Trek circles. It’s not quite a ghost story, spoken of in hushed whispers. Indeed, author Margaret Wander Bonanno has made the manuscript available to interested fans via her website, and has used it to raise money for a variety of worth causes. She’s documented the difficult story of how her original novel warped in Probe in a wonderfully wry and insightful essay, offering a glimpse at the inner workings of Pocket Book and Paramount towards the end of the eighties.

It’s a rare peek behind the curtain, with Music of the Spheres serving as a compelling vehicle to explore just what was going on inside Star Trek licensing in the late eighties and early nineties.