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Non-Review Review: The Witches (2020)

The Witches offers a clumsy American update of the classic Roald Dahl novel.

To be fair, there is something potentially interesting in attempting to update The Witches, both for modern audiences and for American viewers. It’s to the credit of director Robert Zemeckis and co-writers Kenya Barris and Guillermo del Toro that they at least understand this. The Witches makes a number of alterations to its source material, and at least some of those reflect a genuine and compelling attempt to update the story to fit in a modern and American context.

Any witch way but loose…

At the same time, The Witches is a mess. Part of this is down to the way in which a lot of the appeal of Dahl’s story is lost in translation, as a wry and arch British story gets filtered through the hypersaturated Americana of one of the defining American directors, an even more exaggerated effect of what happened with Steven Spielberg’s work on The B.F.G. However, some of this is more fundamental, as Zemeckis struggles to balance tone and mood across the film, and finds his attentions drawn more to what his interests desire than what the plot demands.

The Witches is a misfire, but an intriguing one. There are hints of a much more compelling movie to found, sifting between its more misjudged moments.

Putting a (ro)dent in his reputation…

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