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The X-Files (Topps) #10-12 – Feelings of Unreality (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Feelings of Unreality marks the end of Stefan Petrucha and Charles Adlard’s first year on Topps’ licensed X-Files comic book.

It also marks the end of their extended arc. It became clear around six issue into their run that Petrucha and Adlard were really just telling one large and expansive story that could be broken down into small bite-sized chunks. From Not To Be Opened Until X-Mas through A Dismembrance of Things Past through Firebird and Silent Cities of the Mind, these were all separate pieces of a larger puzzle waiting to be fitted together. Feelings of Unreality marks a conclusion to this ambitious and expansive arc.

Slightly unreal...

Slightly unreal…

What has been fascinating about Petrucha and Adlard’s run on The X-Files comic book as been the way that the team has adapted the show’s format to fit within this distinct medium. Writing a tie-in like this, it would would be very tempting to do “a television episode, in comic book form!” There’s a very serious argument to be made that the comics would be pushed in that direction after Petrucha departed. However, there’s something much more compelling about a story that takes advantage of its own medium, rather than offering a flat imitation of another.

For all its flaws, Feelings of Unreality – like Petrucha and Adlard’s epic Firebird before it – feels like a comic book story. It’s pulpy, exciting, ambitious, expansive, silly. And just a little brilliant.

Lift me up...

Lift me up…

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The X-Files – The Blessing Way (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

The Blessing Way is the first mythology episode of The X-Files that doesn’t really work.

And it doesn’t really work for a lot of the same reasons that some of the later mythology episodes don’t really work. Its pacing is terrible. It wallows in new age mysticism, allocating characters thoughtful monologues that awkwardly state themes and render subtext as supratext. It plays into the deification of Mulder, trying to bend Mulder’s story to fit into an archetypal “chosen one” narrative. More than that, it is very clearly a holding pattern, an effort to eat up time without moving forward.

Wiping it all out...

Wiping it all out…

However, despite the fact that The Blessing Way really doesn’t work, it is still a fascinating episode. It’s a wonderful demonstration of how The X-Files has developed a fleshed-out world inhabited by compelling characters. The best moments in The Blessing Way are character-focused, with Skinner caught between his duty to the government and his loyalty to his agents, the Cigarette-Smoking Man revealed to be middle-management at best, and the implication that even vast sinister government conspiracies are hostage to chaos.

The Blessing Way is an oddity, a rather strange piece of television that is almost endearing in its stubborn refusal to deliver what the audience wants and expects. That doesn’t make it good, but it does make it interesting.

The truth is up there...

The truth is up there…

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The X-Files (Topps) Annual #1 – Hallow Eve (Review)

This August (and a little of September), we’re taking a trip back in time to review the second season of The X-Files. In November, we’ll be looking at the third season. And maybe more.

No matter how you cut it, the creative team of Stefan Petruscha and Charles Adlard were prolific. The duo only worked on The X-Files comics book for seventeen months between January 1995 and May 1996, but they put out a phenomenal amount of work. On top of sixteen issues of the monthly series, there were also two digests, a number of short stories and an annual. In most cases, some of this work would be outsourced to another creative team, but Petrucha and Adlard remain the creative team for Topps’ X-Files comic.

While this undoubtedly required a great deal of creative energy from Petrucha, churning out scripts on a regular basis, it is worth pausing to praise artist Charles Adlard. These days, for a variety of reasons, it seems that major comic book artists have difficulty producing twelve twenty-odd-page issues in a year. Not only was Adlard able to meet that objective, he was able to do that while drawing a large volume of supplementary material, including this feature-length annual.

All about Eve...

All about Eve…

It’s remarkable how consistent it all is. One of the advantages of a tie-in comic book with a steady creative theme is that there’s a much clearer authorial voice. Although Chris Carter oversaw the production of The X-Files, the demand of weekly network television mean that some episodes got more attention than others, and that particular voices tend to shine through. Darin Morgan writes his own version of The X-Files, as do Glen Morgan and James Wong or Howard Gordon or Vince Gilligan. (This isn’t a bad thing, by the way.)

On a comic, with all the issues written by the same author and illustrated by the same artist, there is a bit more consistency. Even though Hallow Eve is a stand-alone one-shot story that exists quite separate to Petrucha and Adlard’s twelve-issue meta-arc, it fits quite comfortably with their themes and subtexts. It’s an episode about history and memory, and perception and reality.

Shocking...

Shocking…

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The X-Files (Topps) #3 – A Little Dream of Me/The Return (Review)

This August (and a little of September), we’re taking a trip back in time to review the second season of The X-Files. In November, we’ll be looking at the third season. And maybe more.

There are inevitable challenges in working on a licensed property. You are effectively playing with somebody else’s toys. Since these tie-ins cannot drive a narrative currently unfolding in another medium, it’s often a challenge to maintain the illusion of forward momentum while existing at the behest of a story that can change from week-to-week. While The X-Files was a massive coup for Topps comics, and while Stefan Petrucha and Charles Adlard did a wonderful job, the comic had to face these constraints.

A Dismembrance of Things Past had brushed up against those limitations in trying to tell a U.F.O. story without meddling in the television show’s continuity. Petrucha used some fiendishly clever sleight of hand there, suggesting that the story would be about an alien visitation and possible cover-up, only to reveal that the story was actually an intimate meditation on the ideas of truth and memory. It was a rather ingenious bait-and-switch, resulting in a wonderful little story.

Pictures in his head...

Pictures in his head…

A Little Dream of Me is not quite as efficient in dealing with the external limitations imposed on a tie-in comic book. The unfortunate realities of comic book scheduling meant that A Little Dream of Me had the misfortune to hit the stands very shortly after the broadcast of Colony and End Game. Of course, the script for A Little Dream of Me would have been written long before the episodes aired (about six months), but the scheduling causes the comic to suffer.

After all, Colony and End Game had made it abundantly clear that Samantha Mulder was unlikely to be returning to her family any time soon. And that was in the television show. The third issue of the comic book teasing the return of Samantha Mulder seems like a rather cynical cheat.

The "X" file...

The “X” file…

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The X-Files (Topps) #2 – A Dismembrance of Things Past (Review)

This August (and a little of September), we’re taking a trip back in time to review the second season of The X-Files. In November, we’ll be looking at the third season. And maybe more.

A Dismembrance of Things Past is an absolute delight, and a nice demonstration of how well writer Stefan Petrucha and Charles Adlard could tell stories set within The X-Files universe.

There are many interesting things about A Dismembrance of Things Past. It’s a fine piece of work, deftly balancing the demands on a new comic book set within the world of The X-Files with an urge to tell a story that fits very clearly and very comfortably within the show’s basic structure. It is easy to imagine A Dismembrance of Things Past receiving a live-action adaptation. Indeed, Petrucha’s script feels like something of a tribute to writer Darin Morgan before Darin Morgan had even written for the show, half-way between Blood and Jose Chung’s “From Outer Space.”

Something to remember them by...

Something to remember them by…

A Dismembrance of Things Past confronts the difficulties of writing a tie-in comic book to The X-Files, while using those constraints to tell an interesting story in its own right. After all, the comic book would have to tell an alien or U.F.O. story eventually. The words “The X-Files” are written on the cover, and that comes with the territory. At the same time, Petrucha and Adlard have to acknowledge the fact that the tie-in comic book cannot advance the on-screen mythology arc. Indeed, it seems unlikely Carter had shared too much of that arc with Petrucha or Adlard.

It takes a lot of skill to balance these competing demands of a tie-in comic book – to remain connected to the source material, but never pulling too far away or ahead, while remaining interesting. A Dismembrance of Things Past manages to satisfy all of its obligations and then some.

Through alien eyes...

Through alien eyes…

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Non-Review Review: Memento

I figured, what with Inception coming out and all, it was the perfect time in introduce my better half to the rather impressive (and amazingly consistent – indeed, only one of his films did not make my “top 50 films of the decade”) director Christopher Nolan. I discover that she had yet to see Memento, Nolan’s first major American release. We immediately decided to rectify the situation.

Picture perfect...

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