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New Podcast! The X-Cast – Season 3, Episode 2 (“Paper Clip”)

A real pleasure to re-team with Tony Black to round out our coverage of “the unopened file” on The X-Cast, following on from our discussions of Anasazi and The Blessing Way. And this time, it’s an even stronger line-up. The wonderful Chris Knowles is joins us for the discussion of the final part of the season-bridging trilogy.

As ever, a huge thrill to be a part of this. Anasazi, The Blessing Way and Paper Clip represent a landmark moment for The X-Files as a television show, and it’s been an honour to talk through those changes with Tony. However, Paper Clip is something special because it’s clear how much Chris loves this episode. There are few pleasures in life quite as satisfying as sitting down with somebody to talk about something they love.

I’ll be back on The X-Cast later in the season, to the point that I think the members of the Patreon may already have access to one of my own smaller side projects as part of the podcast. However, it was a delight to get to talk about three episodes that are so close to the core of what The X-Files is for a combined runtime of close to four hours.

The truth is in here. You can listen to the episode here, or click the link below.

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The X-Files – Paper Clip (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

And now we return to your scheduled viewing.

In many respects, Paper Clip feels like the real third season premiere. It establishes a lot of the recurring themes and ideas for the mythology of the season, from Krycek-on-the-run through to collaboration in the wake of the Second World War. It builds on the successful multi-part formula established by episodes like Ascension or End Game during the show’s second season. It moves things along in a way that The Blessing Way simply refused to. (It even resolves the cliffhanger from the last episode on screen.)

The light at the end of the tunnel...

The light at the end of the tunnel…

Paper Clip demonstrates the strengths of the third season of The X-Files. The third season was the point at which the show really pushed the mythology out, building on earlier implications that there was form to be found in the shadows. The third season also looked to the second season to determine what had worked and what had not worked. Paper Clip is very clearly modelled on the successful aspects of second parts like Ascension or End Game.

It moves. The power of Paper Clip comes from an incredible forward momentum that allows the show to maintain tension and excitement while refusing to allow the audience to catch their breath. Instead of resolving the bigger plot threads from the first episode, questions and hints are thrown out with reckless abandon as the script just drives through set pieces and emotional beats and suspenseful sequences. It is a very meticulously, very cleverly constructed piece of television.

Watching the skies...

Watching the skies…

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The X-Files – The Blessing Way (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

The Blessing Way is the first mythology episode of The X-Files that doesn’t really work.

And it doesn’t really work for a lot of the same reasons that some of the later mythology episodes don’t really work. Its pacing is terrible. It wallows in new age mysticism, allocating characters thoughtful monologues that awkwardly state themes and render subtext as supratext. It plays into the deification of Mulder, trying to bend Mulder’s story to fit into an archetypal “chosen one” narrative. More than that, it is very clearly a holding pattern, an effort to eat up time without moving forward.

Wiping it all out...

Wiping it all out…

However, despite the fact that The Blessing Way really doesn’t work, it is still a fascinating episode. It’s a wonderful demonstration of how The X-Files has developed a fleshed-out world inhabited by compelling characters. The best moments in The Blessing Way are character-focused, with Skinner caught between his duty to the government and his loyalty to his agents, the Cigarette-Smoking Man revealed to be middle-management at best, and the implication that even vast sinister government conspiracies are hostage to chaos.

The Blessing Way is an oddity, a rather strange piece of television that is almost endearing in its stubborn refusal to deliver what the audience wants and expects. That doesn’t make it good, but it does make it interesting.

The truth is up there...

The truth is up there…

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