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Non-Review Review: Twilight – Breaking Dawn, Part II

Here’s the thing. Despite all the derision that the Twilight films generate, they actually have any number of ingredients for a perfectly workable young adult horror romance. Despite the sizeable and significant flaws, and those fundamental issues that are very hard to overlook, the film does have a number of very clear thematic roots that can be traced back through horror cinema. The problem with Twilight: Breaking Dawn, Part II isn’t that it’s inherently cheesy or trashy or absurd. The problem is that it’s never enough of these things. It feels far too comfortable and too casual to ever really grab the viewer, and everything feels far too safe and generic to get any mortal’s blood pumping.

Baby trouble…

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Non-Review Review: Transformers – Revenge of the Fallen

Transformers: Revenge of the Fallen is one of those films that you have heard so much about that you feel almost obligated to check out. It’s like a challenge. “It can’t possibly be that bad,” you laugh off criticism from just about everybody you know, “I mean, if it’s that bad, it has to at least be entertaining – you know, in the same way that Ed Wood films are entertaining?” And those people reply in what gradually become pleas, imploring you to just accept that it’s a terrible film and let it go. And yet, it’s like a “do not touch” warning to a small child – it draws you closer, attracts your attention, arouses your curiousity. It couldn’t be that bad.

Oh, but it is.

Two-and-a-half hours of torture...

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Was Jennifer’s Body A Feminist Slasher Movie?

If there was one horror movie that was the centre of much focus and discussion this autumn, it was probably Paranormal Activity. If there was another one, it was Jennifer’s Body. Written by the Oscar-nominated writer of Juno and starring ‘it’ girl of the moment Megan Fox, the movie sparked a whole host of interesting debates from its initial conception through to its underwhelming box office debut. The centre concept was an intriguing gender reversal on the traditional slasher movie dynamic: a college girl randomly murders promiscuous boys. That, and the fact that she is a demon. So, is the movie a feminist slasher flick, and does that go someway towards explaining its somewhat poor box office figures?

jennifersbody

Do you want to see more of Jennifer's Body?

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