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Spider-Man vs. Wolverine (Review/Retrospective)

To celebrate the release of The Wolverine later in the month, we’re taking a look at some classic X-Men and Wolverine comics every Monday, Wednesday and Friday here. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.

Well, at least it’s honest. Spider-Man vs. Wolverine doesn’t promise a superhero team-up so much as a comic book bust-up. Many comic crossovers open with two characters throwing down, perhaps playing to the geekish fanboy fascination with the idea that “my hero can beat your hero.”

Such brawls are so common that Marvel’s recent span of blockbuster events has been based around the idea of heroes fighting one another. Civil War pitted Captain America against Iron Man. Secret Invasion saw heroes fighting aliens impersonating heroes. Siege was about heroes defeating supervillain imposters. Avengers vs. X-Men… well, exactly what it says on the tin.

So the title of Spider-Man vs. Wolverine is refreshing frank, opening acknowledging this tendency and going so far as to make it the centrepiece of the book.

"So, um, when does the team-up start?"

“So, um, when does the team-up start?”

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The Fantastic Four #108 – The Monstrous Mystery of the Nega-Man (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Jack Kirby is one of the defining comic book creators of the twentieth century. He started out working in the medium during the Great Depression. He was a major force during the Golden Age of comics, creating the character of Captain America in 1940. However, Kirby displayed an incredible ability to evolve and adapt over time. In the 1970s, for example, Kirby would move towards crafting cosmic odysseys and epic god-like conflicts. However, during the 1960s, he played a huge role in the development of Marvel Comics during the 1960s. With a flair for science-fiction story-telling and a knack for crafting iconic characters, Kirby came to be one of the talents who defined the period known as “the Silver Age.” Working with Stan Lee, Kirby created characters like The Fantastic Four and The X-Men, who defined not just Marvel, but the entire medium.

I think it’s fair to cite Star Trek as a major influence on Jack Kirby’s work in comic books, particularly his later work on The Fantastic Four. I know that his fans can be very protective of their idol, and he certainly deserves a lot of the praise heaped upon him. I know that Kirby’s possible influence on Star Wars remains a massive bone of contention. That said, I suspect that Star Trek made quite an impression on Kirby.

A smashing time...

A smashing time…

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Non-Review Review: Iron Man 3

Where do you go after The Avengers? Marvel brought together four separate superhero franchises to produce one mega-blockbuster last summer, producing the most successful film of 2012 and one of the most lucrative films in the history of the medium. It’s a tough act to follow. If Iron Man 3 is any indication, it seems like Disney and Marvel understand how they want to progress from here. Shrewdly deciding not to compete with The Avengers on scale, Iron Man 3 is instead a character-driven action thriller specifically tailored for the character of Tony Stark, with writer and director Shane Black very clearly having his own idea for the hero who first launched Marvel’s shared universe.

While Iron Man 3 isn’t quite perfect, it’s a solid superhero blockbuster, and perhaps second only to Kenneth Brannagh’s Thor as the best superhero film produced by Marvel Studios.

Who da Iron Man?

Who da Iron Man?

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Earth X (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

“Your kind does love to rewrite history, Richards,” the Watcher observes towards the end of Earth X, after we get an introduction and brief recap of the life of Tony Stark. Almost every issue of the collection opens with a review of an iconic Marvel character’s back story, as writer Jim Krueger and plotter Alex Ross attempt to tie the tapestry of the Marvel universe together in some way. It turns out that everything a character underwent wasn’t just their own personal development, but part of a broader tapestry of history within the Marvel universe. No character evolution, it seems, happens in isolation. Everything is interconnected, even if we (or the writers or the characters) never realised it at the time.

Earth X is really just an attempt to tie most of the Marvel universe up in one gigantic knot, to connect everything to everything else. In a way, published in 1999, it seems to foreshadow the current era of Marvel publishing, where absolutely everything within in the shared universe must somehow be connected to something else. Avengers vs. X-Men, for example, would connect the Phoenix from the X-Men to the Iron Fist mythology. Grant Morrison’s New X-Men connected the Weapon X project to the development of Captain America. The X-Men and the Avengers must be united as part of Uncanny Avengers.

In many ways, Earth X reads more interestingly as a treatise than as a comic story. It’s far stronger as a thought-experiment than an actual narrative. It’s more fun on purely technical level, watching Jim Krueger and Alex Cross connect all those dots, than it is as an adventure in its own right.

Stellar...

Stellar…

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Watch! Thor: The Dark World Trailer!

Look! It’s Great Britain! Isn’t that so fantastical and surreal, arguably as strange as any of the nine worlds?

The first teaser for Thor: The Dark World has arrived. I’d be lying if I wasn’t a little disappointed. I’ve made no secret that I think that Branagh’s Thor is the best of the films Marvel has produced, and I’m wary of trying to use some television directors to offer a large-scale fantasy. Still, while the trailer seems a bit jumpy and jumbled, there are some nice things. I like that Asgard seems to be getting its design tips from S.H.I.E.L.D. and that they seem to have taken some trouble to ensure Loki will feel right at home in a whited-out holding cell. And Anthony Hopkins’ narration is as wonderful as ever.

Anyway, check out the trailer and let me know what you think.

Non-Review Review: Iron Man 3

Where do you go after The Avengers? Marvel brought together four separate superhero franchises to produce one mega-blockbuster last summer, producing the most successful film of 2012 and one of the most lucrative films in the history of the medium. It’s a tough act to follow. If Iron Man 3 is any indication, it seems like Disney and Marvel understand how they want to progress from here. Shrewdly deciding not to compete with The Avengers on scale, Iron Man 3 is instead a character-driven action thriller specifically tailored for the character of Tony Stark, with writer and director Shane Black very clearly having his own idea for the hero who first launched Marvel’s shared universe.

While Iron Man 3 isn’t quite perfect, it’s a solid superhero blockbuster, and perhaps second only to Kenneth Brannagh’s Thor as the best superhero film produced by Marvel Studios.

Who da Iron Man?

Who da Iron Man?

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Ultimate Comics: Divided We Fall, United We Stand – Spider-Man (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

I have to admit, I am very surprised that Marvel have yet to start issuing oversized hardcovers of writer Brian Michael Bendis’ latest Ultimate Spider-Man run. The author has been writing the writing the series since the first issue appeared on stands in October 2000. The series has been re-launched twice, for three volumes as part of the same story. The first two runs are collected in their entirety, but only bits and pieces of the third run have been collected so far. The prelude Fallout was collected with Bendis’ The Death of Spider-Man omnibus, and the crossover with the main universe has been collected in Spider-Men, and then there’s these issues here, collected as part of Divided We Fall.

However, despite the high profile decision to create a new Spider-Man, generating considerable press coverage, Marvel has yet to begin collecting nice oversized hardcovers of Bendis’ latest run. As a result, the issues collected here give a rather scattershot coverage of Bendis’ run on the iconic web-crawler, which is a bit of a shame. As with the Ultimates and Ultimate X-Men comics tying into this big event, context is a vital part of this gigantic crossover, with Bendis’ story only really resonating as part of an on-going story featuring the development of a new version of Spider-Man, Bendis’ own creation.

Who says there's no such thing as bad publicity?

Who says there’s no such thing as bad publicity?

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Ultimate Comics: Divided We Fall, United We Stand – Ultimates (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

There was a time when Marvel’s Ultimate Universe was the place to be. Ultimate Spider-Man, Ultimate X-Men and The Ultimates were among the best-reviewed and best-selling books published at Marvel in the early part of the last decade, offering a fresh new take on classic comic book characters, and offering readers an opportunity to engage with a continuity-free world just as the super-hero movie craze took off. I’ll always be fond of the Ultimate Universe, because without The Ultimates and Ultimate Spider-Man, I simply wouldn’t be a comic book fan today.

However, in the last number of years, for any number of reasons, the line has wavered a little bit. Despite attracting Mark Millar back to write Ultimate Comics: Avengers, and Brian Michael Bendis generating massive headlines by writing The Death of Spider-Man, it seemed like the publishing brand was fading a bit. There have been several attempts to re-energise the line. Divided We Fall is just the most recent one, a crossover between the three books currently making up the Ultimate imprint.

The story of America falling apart, told from three different perspectives, it’s certainly timely. And, as crossovers go, shrewdly constructed. While Divided We Fall suffers a bit from the fact that Marvel is no longer consistently collecting the books leading into it, it is still an interesting comic book story, and one that takes advantage of the Ultimate Universe setting to tell a story that would be impossible in the mainstream Marvel brand.

President Cap...

President Cap…

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Avengers vs. X-Men (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

I’ll admit, I’ve always been broadly curious about how the Avengers and the X-Men franchises fit together. I’m not normally a massive fan of over-thinking the whole “shared universe” aspect of superhero comics. After all, how can Spider-Man continue to have it so tough when there’s a bunch of wealthy and well-loved superheroes who could vouch for him? Why wouldn’t Batman use Superman or Green Lantern for back-up all the time? It’s best not to dwell on the implication that all these comic books are unfolding at the same time, despite how fun the occasional crossover might be.

Still, I’ve always found it interesting that the X-Men books apparently share a continuity with Marvel’s publishing line. After all, the merry mutants are frequent victims of persecution and attempted genocide, the subjects of institutionalised racism and seem to spend the majority of their time as pariahs or outlaws. You’d assume that at least Captain America – the Sentinel of Liberty and all that – would probably want to take an interest in mutant affairs, or try to help them out a little.

Avengers vs. X-Men is a massive line-wide crossover between Marvel’s two largest and most iconic franchises. It is – as you might expect – mostly an excuse to throw the two sets of toys against each other, but it still has its fair share of interesting ideas. It doesn’t necessarily develop those interesting ideas in the most satisfactory direction, but it is surprisingly coherent for a twelve-issue series from five of Marvel’s highest profile writers and three of the company’s most respected artists.

Exactly what it says on the tin...

Exactly what it says on the tin…

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Brian Michael Bendis’ Avengers – Avengers Assemble (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

How do you cash in on the success of a big-budget blockbuster comic movie? Especially a film that has gone on to be the most successful film of 2012, and one of the most successful films of all time? It’s a tough question, and I’d like to imagine that Marvel thought long and hard about how to capitalise off the success of The Avengers. After all, comics are a medium that have been trying any number of desperate ploys to maintain sales and to attract fans over the past decade, so it would be stupid not to try to turn some of the cinema-goers into comic book fans. I made the transition, so it can’t be that tough.

Avengers Assemble, an eight-issue miniseries, seems to have been created as an answer to that question. Not only does it carry the name used by the film in several international markets, it uses the iconic roster from the film, tries to tell what appears to be a continuity-light tale and comes from a high-profile creative team. Unfortunately, these factors all feel rather cynical, rather than a genuine attempt to court new readers.

Hey, it's that guy, from that thing!

Hey, it’s that guy, from that thing!

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