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Non-Review Review: Mard Ko Dard Nahi Hota (“The Man Who Feels No Pain”)

This film was seen as part of the Virgin Media Dublin International Film Festival 2019. Given the high volumes of films being shown and the number of reviews to be written, these may end up being a bit shorter than usual reviews.

The Man Who Feels No Pain is the best film at this year’s Virgin Media Dublin International Film Festival.

Written and directed by Vasan Bala, The Man Who Feels No Pain is a delightfully self-aware Hindu action comedy which focuses on a young man who – as the title suggests – was born without any capacity to feel pain. Surya has lived a sheltered life, raised by an over-protective father and an over-eager grandfather. Surya’s life has been shaped and defined by the steady stream of popular culture that his grandfather has fed him, in lieu of access to the outside world. Surya’s moral compass is shaped and defined by comic books and eighties action movies, instilling in the boy a very firm sense of right and wrong and giving him a moral certainty about how best to respond to injustice.

When Surya is thrown out into the world as a twenty-year-old adult, there is a serious question as to whether Surya or the world is ready for the experience. The Man Who Feels No Pain is many, many things. Most immediately and superficially, from its opening scenes, it is a loving and knowing parody of eighties action movies and the superhero cinema that they spawned. It works incredibly well on these terms, managing to expertly balance the demands of both the action sequences and the comedic beats. However, the most endearing and engaging aspect of The Man Who Feels No Pain is the way in which it blends this celebration of contemporary pop culture into a broader exploration of growing up.

At its core, The Man Who Feels No Pain is an exploration of that old C.S. Lewis adage that growing up means putting away childish things; including the fear of being seen as childish.

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