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The X-Files – Apocrypha (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Eyes are a major recurring motif in Apocrypha.

To be fair, eyes were a frequently recurring motif throughout The X-Files. Rob Bowman managed a couple of beautiful shots of reflections and peeping in 731, for example. It makes sense that The X-Files should place such emphasis on eyes – it is a saga about truth and belief and faith, all of which must be explored through perception. “I want to believe,” Mulder’s iconic poster proclaims. As the cliché goes, seeing is believing.

Iconic Mulder/Scully pose!

Iconic Mulder/Scully pose!

That is definitely the case here, with Apocrypha built to a climax where both the audience and the characters are explicitly refused the opportunity to see key moments. Mulder and Scully are escorted out of the North Dakota silo before they can see anything incriminating. The audience doesn’t even get to see the space ship taking off. Even the death of Luis Cardinal takes place off-screen, with Mulder revealing it in a throwaway line in the show’s penultimate scene.

With all of this going on, it makes sense that so much of the imagery in Apocrypha should be built around eyes – with the black oil infection manifesting in its hosts’ eyes, the shooting of the silo as a giant eye staring into space, and even the design of the alien space ship evoking the Eye of Providence.

Up in the sky!

Up in the sky!

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The X-Files – E.B.E. (Review)

While the show was on the air, it seemed like the series’ “mythology arc” – the on-going recurring story arc concerning the government and the Syndicate and the aliens and the colonists and Samantha Mulder – was the best part of the show. Given how The Truth bungled tying up all the loose ends generated over nine years of mythology, hindsight has been somewhat harsh to these episodes. It’s a lot harder to get caught up in Mulder’s cat-and-mouse game against the government when you know the show won’t bother to offer a satisfying conclusion.

And yet, perhaps that isn’t the appeal of these conspiracy episodes. Perhaps these over-arching mythology episodes didn’t grab our attention because they promised long-form storytelling with set-up and pay-off. Certainly, there’s little direct connective tissue between The Pilot, Deep Throat, Fallen Angel and E.B.E., barring the appearance of Deep Throat, who has also guested in shows like Eve or Ghost in the Machine or Young at Heart. At this point in the run, there’s no hint of Mulder’s convoluted familial ties this stretched secret conspiracy, no suggestion the government was complicit in the abduction of Mulder’s sister.

Instead, E.B.E. offers another clever and interesting suggestion about why this government conspiracy plot line appeals to us. It’s nothing to do with a developing story arc, at least not in this place. It’s just a wonderful channel through which we may express our mistrust of authority, the most direct way to focus our well-honed paranoia against those in government, the most straight-forward expression of post Cold War anxiety.

The truth was in here...

The truth was in here…

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The X-Files – Fire (Review)

Well, Fire is probably Chris Carter’s strongest script since The Pilot. I suppose we should be grateful for that, at least.

All fired up...

All fired up…

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The X-Files – Fallen Angel (Review)

Fallen Angel is a remarkable episode. It’s really the point at which the show seems to say “huh, this conspiracy stuff is really exciting.” It’s also a complete reversal from the misfire that was Space, proving that there are people working on the show who can create monsters on a tiny special effects budget and create compelling secondary characters. Following Mulder’s investigation of a downed UFO – the eponymous “fallen angel” – the episode dives headlong into the murky world of cover-ups and secrets, kicking the show’s mythology arc into gear.

Shedding some light on the matter...

Shedding some light on the matter…

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The X-Files – Deep Throat (Review)

Deep Throat was filmed in August 1993, more than a year after the production of The Pilot in March 1993. In a way, Deep Throat feels like the first proper episode of the show’s first season, even carrying the production number 1×01. It cements a lot of the themes and ideas suggested in The Pilot, more firmly establishing arcs and characters. Indeed, The Pilot ended with a glimpse at the massive government conspiracy surrounding encounters with alien life forms, but Deep Throat serves to demonstrate just how deep that conspiracy goes.

The episode builds on countless ideas and conspiracy theories, delving into the popular suggestion that the United States military has been reverse-engineering alien technology for its own purposes. This suggests that Mulder isn’t just dealing with modern interactions between aliens and humanity, he’s digging into something that is rooted far deeper. As the eponymous informant teases him at the end of the episode, “Mr. Mulder, they’ve been here for a very long time.”

The truth is up there...

The truth is up there…

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