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New Podcast! The X-Cast – Fight the Future Minute #83 (“Well-Manicured Truth II”)

So The X-Cast reached the end of the show’s fifth season, and approached The X-Files: Fight the Future. This naturally meant it was time for another breathtakingly ambitious project, so the podcast is going literally minute-by-minute through the first X-Files feature film. I’m joining the wonderful Kurt North for two brief stretches featuring the Well-Manicured Man.

You know what’s better than exposition? Even more exposition. More than that, exposition that isn’t actually even in the finished film. This is a fun minute of Fight the Future, in large part because it tries to fit about five years worth of exposition into a single minute of screen time while also trying to simultaneously build tension to keep the audience engaged. It’s notable that this sequence was the point at which Carter tacitly acknowledged he could only go so far while pleasing both casual viewers and die-hard fans, which makes it fun to explore.

You can listen to the episode here, or click the link below.

 

New Podcast! The X-Cast – Fight the Future Minute #82 (“Well-Manicured Truth I”)

So The X-Cast reached the end of the show’s fifth season, and approached The X-Files: Fight the Future. This naturally meant it was time for another breathtakingly ambitious project, so the podcast is going literally minute-by-minute through the first X-Files feature film. I’m joining the wonderful Kurt North for two brief stretches featuring the Well-Manicured Man.

Who doesn’t like exposition? Especially when it’s delivered by a veteran British character actor trying to cram as much as physically possible into the space between two set pieces? We’re in an incredibly dense stretch of Fight the Future in which the film tries to offer a cliffnotes of the show’s mythology for the blockbuster audiences watching in cinemas. The result isn’t always elegant, but it’s surprisingly effective.

You can listen to the episode here, or click the link below.

 

New Podcast! The X-Cast – Fight the Future Minute #52 (“A Well-Manicured Man (Again!)”)

So The X-Cast reached the end of the show’s fifth season, and approached The X-Files: Fight the Future. This naturally meant it was time for another breathtakingly ambitious project, so the podcast is going literally minute-by-minute through the first X-Files feature film. I’m joining the wonderful Kurt North for two brief stretches featuring the Well-Manicured Man.

The Well-Manicured Man is – not so secretly – one of my favourite characters in the larger X-Files pantheon. This is partly because he’s played by the wonderful character actor John Neville, but also because he serves as an excellent analogy for the corrupting influence of the sort of power that runs through The X-Files. While the Cigarette-Smoking Man is transparently evil, and while the Elders are vaguely defined at best, the Well-Manicured Man is interesting in large part because he seems actually conflicted about what he has committed to.

In the first of this stretch of minutes, Fight the Future reintroduces the Well-Manicured Man in what is effectively a microcosm of the movie’s approach to storytelling. The audience is immediately given some understanding of who this character is, what he represents and what his motivations might be. It is more economical and effective than elegant, and a prime example of how Fight the Future was trying to position itself as a blockbuster rather than a cult film.

You can listen to the episode here, or click the link below.

 

The X-Files – Apocrypha (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Eyes are a major recurring motif in Apocrypha.

To be fair, eyes were a frequently recurring motif throughout The X-Files. Rob Bowman managed a couple of beautiful shots of reflections and peeping in 731, for example. It makes sense that The X-Files should place such emphasis on eyes – it is a saga about truth and belief and faith, all of which must be explored through perception. “I want to believe,” Mulder’s iconic poster proclaims. As the cliché goes, seeing is believing.

Iconic Mulder/Scully pose!

Iconic Mulder/Scully pose!

That is definitely the case here, with Apocrypha built to a climax where both the audience and the characters are explicitly refused the opportunity to see key moments. Mulder and Scully are escorted out of the North Dakota silo before they can see anything incriminating. The audience doesn’t even get to see the space ship taking off. Even the death of Luis Cardinal takes place off-screen, with Mulder revealing it in a throwaway line in the show’s penultimate scene.

With all of this going on, it makes sense that so much of the imagery in Apocrypha should be built around eyes – with the black oil infection manifesting in its hosts’ eyes, the shooting of the silo as a giant eye staring into space, and even the design of the alien space ship evoking the Eye of Providence.

Up in the sky!

Up in the sky!

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Star Trek: The Next Generation – Embrace the Wolf (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the episode Elementary, Dear Data.

The concept behind Embrace the Wolf is quite ingenious. The execution is slightly less so. Recognising that Star Trek: The Next Generation had a recurring interest in Victorian London, in Data’s interest in Sherlock Holmes, it seemed quite logical to drop Redjac into that scenario. Redjac was the non-corporeal serial killing entity introduced in Wolf in the Fold, one of Robert Bloch’s contributions to the second season of the classic Star Trek. As part of Wolf in the Fold, and playing into Bloch’s fascination with the notorious serial killer, Redjac was explicitly identified as the spirit of Jack the Ripper. As you do

So, pairing up Data’s Sherlock Holmes with Redjac’s Jack the Ripper should make for a decidedly pulpy adventure. Unfortunately, the end result is a little generic and unsatisfying.

Wolf in the holodeck...

Wolf in the holodeck…

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