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The X-Files – E.B.E. (Review)

While the show was on the air, it seemed like the series’ “mythology arc” – the on-going recurring story arc concerning the government and the Syndicate and the aliens and the colonists and Samantha Mulder – was the best part of the show. Given how The Truth bungled tying up all the loose ends generated over nine years of mythology, hindsight has been somewhat harsh to these episodes. It’s a lot harder to get caught up in Mulder’s cat-and-mouse game against the government when you know the show won’t bother to offer a satisfying conclusion.

And yet, perhaps that isn’t the appeal of these conspiracy episodes. Perhaps these over-arching mythology episodes didn’t grab our attention because they promised long-form storytelling with set-up and pay-off. Certainly, there’s little direct connective tissue between The Pilot, Deep Throat, Fallen Angel and E.B.E., barring the appearance of Deep Throat, who has also guested in shows like Eve or Ghost in the Machine or Young at Heart. At this point in the run, there’s no hint of Mulder’s convoluted familial ties this stretched secret conspiracy, no suggestion the government was complicit in the abduction of Mulder’s sister.

Instead, E.B.E. offers another clever and interesting suggestion about why this government conspiracy plot line appeals to us. It’s nothing to do with a developing story arc, at least not in this place. It’s just a wonderful channel through which we may express our mistrust of authority, the most direct way to focus our well-honed paranoia against those in government, the most straight-forward expression of post Cold War anxiety.

The truth was in here...

The truth was in here…

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