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Non-Review Review: Lady and the Tramp (2019)

Lady and the Tramp represents a new frontier for Disney’s reimaginings of their animated classics.

The studio has had great success adapting those older films for younger audiences with a hybrid of live action and computer-generated remakes, with Aladdin and The Lion King ranking among the highest grossing movies of last year. Mulan looked like it might have been on course to continue the trend, and the studio is working away on a new version of The Little Mermaid. However, what makes Lady and the Tramp so interesting is that it is not going to be one of those theatrical blockbusters. Instead, it was released directly on Disney+, the company’s streaming service.

A completely identical meatball game.

There are two ways of looking at this. Disney might have been hoping to give Disney+ a bit of a boost by offering an exclusive brand-name and star-driven family-friendly film. Alternatively, the studio might have accepted that Lady and the Tramp was never a viable theatrical release to begin with, whether because it didn’t scratch the right nostalgic itch or because of the quality of the adaptation simply wasn’t up to snuff. In reality, it seems like a combination of the two factors.

Lady and the Tramp is fairly standard as these adaptations go. It is hurt by the push to verisimilitude and by the decision to expand a tight animated story into a bloated live action one. It is also very visually, aurally and tonally flat. It’s a film that seems built around the ethos of “just enough”, often feeling like a television movie that has somehow earned a theatrical special effects budget. Lady and the Tramp is not the worst of the Disney live action adaptations, but it may be the most lifeless.

No far horizons.

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