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Non-Review Review: What Men Want

What Men Want is probably as solid an execution as the title premise could expect.

To be clear, What Men Want is very trite and straightforward. It is a movie that is largely defined by cliché. As the title implies, it’s essentially an exercise in broad gender stereotypes. There is very little novel and exciting in What Men Want. In fact, the most frustrating aspect of the whole film is the consistent refusal to work for a joke when the opportunity for a cheap lay-up presents itself. What Men Want is in no way an exceptional piece of work.

“Are you psychic?”
“No, I’ve just seen a rom-com before.”

At the same time, there is a certain charm to all of this. What Men Want is effectively an exercise in familiar formulas. Audience members will recognise all the stock romantic clichés employed here: the absurd lie that spirals into a brutal personal betrayal, the gay supporting character and sounding board, the third act separation and reunion, the protagonist’s journey towards realising that they need other people. However, there is something to be said for hitting those marks in a manner more effective than many modern films in the same subgenre.

It also helps that What Men Want is driven by a powerhouse central performance from Taraji P. Henson, who demonstrates a commitment and energy that the film can seldom match.

Catching up.

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